Tuesday, June 11, 2013

Bluebeard Thinking


Bluebeard by Frederic Theodore Lix

I have been traveling and returned home with a lovely case of food poisoning, so I am even further behind than anticipated this week. But I had to chime in on the wonderful Bluebeard discussions happening around our fairy tale world thanks to Theodora Goss's thought provoking post this past Saturday, On Bluebeard, with InkGypsy's contribution, Of Keys & Bluebeards.

My mind is simply not clear enough to contribute well at this point, but the subject is so very critical to me and one that I am intimate with, especially after the time I have spent reading and translating and editing Bluebeard tales, Bluebeard Tales From Around the World (Surlalune Fairy Tale Series). This post isn't meant to be self-serving but that is unavoidable since my experiences with the tale are connected to my book.


I shy away from the horror genre in general with few exceptions so it has always been a journey of self-discovery to figure out why Bluebeard resonates so strongly with me. The fascination started in high school, not when I read the original tale, but when I read Angela Carter's The Bloody Chamber: And Other Stories.

Over the years, I've come to accept my fascination with the tale as the warning and acknowledgment of the hidden dangers of some men in our lives. Or as Goss stated:

If you’re a woman, and you’ve lived for a while in the world, you’ve learned to be cautious. You’ve learned that you don’t know who people are, or what they’re capable of, until you’ve known them for a long time, and sometimes not even then.

Most of the women I know are wise to live with a moderate level of caution in their daily lives, a philosophy of living that overreacting is usually safer than no action at all. Violence and death are real possibilities and we all know victims personally if we are not ones ourselves. And, really, most of us have been victims on some level, unfortunately. For me, it was a hand in a dark movie theatre of a strange man sitting two seats away, reaching over to touch parts of me that were not acceptable. I was alone but the theatre was far from empty. I had been cautious in where I went and where I sat. And he waited until the movie was two-thirds done. Then he ran away in the dark, not to be caught or identified by me.

For me, there's the relative who needed the legal system to stop a man from stocking her after a few dates. "A day in jail for each flower you send her," the judge told him. Fortunately, that time, it worked and he stopped. After he had hacked her email and caused her enough embarrassment that a new job was necessary. And after a restraining order that required footwork across the country to be served.

And the blame Goss mentions? It's rampant, no matter the level of abuse/attack that was experienced by the women. The women in my life blame themselves. And some of their friends and families hold them responsible, too, on many levels. Why didn't they know better to be in that place with that person? Bluebeard does this, too, by giving us a woman's "curiosity" as an acceptable reason for punishment/death.

When I translated tales for my Bluebeard collection, one French tale, Barbe Rouge, particularly stood out. It was the only tale to give me a nightmare the night after I first read it, too.

It begins like this:

BARBE Rouge was married seven times and successively lost each of his wives after a short time of homemaking. He lived ten years in harmony with his eighth wife with whom he had two daughters and a son. But after that time, Barbe Rouge took his wife into such hatred that he resolved to get rid of her.

One Sunday, at the moment she returned from Mass, he said to her, “Jeanne-Marie, today I will kill you.”

“Allow me,” the woman replied, “to put on my wedding clothes, those in which I was married to you.”

“Then go up to your room and be quick for I am in a hurry.”

This tale disturbed me because it was so matter-of-fact, there was no reason given for the sudden hatred--not even curiosity--and the only hint of a previous problem is the dead wives--but dead spouses were more common before modern medicine. And there's children, too. This is a mentally disturbed man.

And how many women think of their keys as a weapon when walking anywhere, almost anytime? Mine reside on a wrist strap that turn my keys into an effective mace, too. My husband, as weapon-loving as he is, doesn't think like that in his day-to-day living.

Anyway, enough meandering through my unorganized thoughts, my real job is to recommend Bluebeard resources for further reading:


Secrets beyond the Door: The Story of Bluebeard and His Wives by Maria Tatar

Bluebeard: A Reader's Guide to the English Tradition by Casie E. Hermansson should not be missed. She explores the history and variations of the tale in the greatest detail.

Bluebeard Tales From Around the World (Surlalune Fairy Tale Series) edited by Heidi Anne Heiner--many of tales, plays, etc. discussed by Hermansson are collected here, plus some other materials.

And don't miss Angela Carter's The Bloody Chamber: And Other Stories

Online, there is also Bluebeard and the Bloody Chamber by Terri Windling.

Finally, a fascinating Bluebeard retelling shouldn't be missed in Ariane et Barbe-bleue by Maurice Maeterlinck. The play appears in my book.

And, of course, where I started it all, The Annotated Bluebeard. (Really, that's where SurLaLune started, with an annotated Bluebeard.)

Finally, the views in the post are mine and based upon my own life and experiences. I am closing the comments for this post because I am not going to moderate a discussion about sexism, discrimination, etc. When statistics show that women and children are not the most victimized members of society with the perpetrators primarily men, I will open the discussion. And that's not happening any time soon, alas. I am grateful for the many, many wonderful and trustworthy men in my life but they do not approach their safety in the same way the women in my life do in their day-to-day living.

Friday, June 7, 2013

New Book: Once Upon a Tower by Eloisa James



Once Upon a Tower by Eloisa James was released last week and has dropped in price since its release date. This is the most recent book in James's fairy tale inspired romance series. There's a good review of it at Heroes and Heartbreakers which provides some content and shows how James tries to break some romance tropes in her books.

Book description:

To win her love. . .

As an extremely wealthy laird, Gowan Stoughton, Duke of Kinross, can have any of the maidens at the ball he attends. The only problem is they are all English and Gowan is not so certain they are suitable. He is accustomed to the hard-working lasses from his Highlands, not these dainty noblewomen who spend their days drinking tea or some other such nonsense. But then he makes the acquaintance of Lady Edith Gilchrist. Utterly bewitched by the emerald-eyed beauty with lush golden locks, he knows he must have her.

He must free her from her tower. . .

"Edie" had the misfortune of being dreadfully ill at her debut ball and barely remembers what Gowan looks like. Even worse, she accepted his proposal the following day. Edie's only true passion is playing music—until Gowan writes a scandalous letter and stirs the most irresistible desire. Yet when they marry, Edie realizes her husband needs a lesson and locks herself in a tower. Somehow Gowan must find a way to enter the tower and convince his new bride that she belongs in his arms.

  

Wednesday, June 5, 2013

New Book: Clockwork Fairy Tales: A Collection of Steampunk Fables



Clockwork Fairy Tales: A Collection of Steampunk Fables by Stephen L. Antczak (Editor), James C. Bassett (Editor) was released yesterday.

Book description:

Combining the timeless fairy tales that we all read as children with the out-of-time technological wizardry that is steampunk, this collection of stories blends the old and the new in ways sure to engage every fantasy reader.…

Inspired by Hans Christian Andersen’s “The Red Shoes,” New York Times bestselling author K. W. Jeter’s “La Valse” forges a fable about love, the decadence of technology, and a gala dance that becomes the obsession of a young engineer—and the doom of those who partake in it.…

In “You Will Attend Until Beauty Awakens,” national bestselling author and John W. Campbell Award winner Jay Lake tells the story of Sleeping Beauty—and how the princess was conceived in deception, raised in danger, and rescued by a prince who may be less than valiant.

The tale of “The Tinderbox” takes a turn into the surreal when a damaged young soldier comes into possession of an intricate, treacherous treasure and is drawn into a mission of mercy in national bestselling author Kat Richardson’s “The Hollow Hounds.”

In “The Kings of Mount Golden,” Hugo and World Fantasy Award nominee Paul Di Filippo tells the story of a young man’s search for his heritage and a mechanical marvel that lies at the heart of a sinister pact in this fascinating take on “The King of the Golden Mountain.”


ALSO INCLUDES STORIES FROM
Steven Harper
Nancy A. Collins
G. K. Hayes
Gregory Nicoll
Pip Ballantine


Review:

"Take a few of the Western world's best-known fairy tales, toss in a generous helping of gizmos and steam, and you get one of the most inspired mash-ups of the year...There are many thoughtful new spins on old favorites."—Publishers Weekly

Tuesday, June 4, 2013

New Book: Steadfast: (Elemental Masters #8) by Mercedes Lackey



Steadfast: (Elemental Masters #8) by Mercedes Lackey is officially released today. I haven't been as entertained by the more recent books in this series, but I am intrigued with a novel drawing inspiration from Hans Christian Andersen's Steadfast Tin Soldier. This is one fairy tale that doesn't get many retelling treatments, especially novel length ones.

Book description:

The new novel in Mercedes Lackey’s bestselling series of an alternative Edwardian Britain, where magic is real—and Elemental Masters are in control.

Lionel Hawkins is a magician whose act is only partially sleight of hand. The rest is real magic. He’s an Elemental Magician with the power to persuade the Elementals of Air to help him create amazing illusions. It doesn’t take long before his assistant, acrobat Katie Langford, notices that he’s no ordinary magician—and for Lionel to discover that she’s no ordinary acrobat, but rather an untrained and unawakened Fire Magician. She’s also on the run from her murderous and vengeful brute of a husband. But can she harness her magic in time to stop her husband from achieving his deadly goal?

Monday, June 3, 2013

New Book: Far Far Away by Tom McNeal



Far Far Away by Tom McNeal is released next week. This is part of the unusual subgenre of fairy tale retellings that draws inspiration from the Grimms Brothers as much as any particular fairy tale, like Cornelia Funke's Reckless (Mirrorworld) and Fearless (Mirrorworld) as well as the movie, The Brothers Grimm and even the Grimm series on NBC.

It says quite a lot about Jeremy Johnson Johnson that the strangest thing about him isn't even the fact his mother and father both had the same last name. Jeremy once admitted he's able to hear voices, and the townspeople of Never Better have treated him like an outsider since. After his mother left, his father became a recluse, and it's been up to Jeremy to support the family. But it hasn't been up to Jeremy alone. The truth is, Jeremy can hear voices. Or, specifically, one voice: the voice of the ghost of Jacob Grimm, one half of the infamous writing duo, The Brothers Grimm. Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But when the provocative local girl Ginger Boultinghouse takes an interest in Jeremy (and his unique abilities), a grim chain of events is put into motion. And as anyone familiar with the Grimm Brothers know, not all fairy tales have happy endings. . .

Sunday, June 2, 2013

Bargain Ebooks: Sarah Zettel's Isavalta Series



A Sorcerer's Treason (Prologue Fantasy), book one in Sarah Zettel's Isavalta series, as well as the other three books in the series, are all priced temporarily at 99 cents each for ebook format, part of a sell by publisher Prologue Books Sale. I am unaware of how long the sale will last, but the books are usually priced $3+ each. I've had the first title sitting in my TBR (to be read) pile for a while. The series uses a historical  American setting with a fantasy world inspired by Russian, Chinese, and Indian folklore which sounds quite fascinating and something different for those weary of the typical fantasy settings. I'll probably buy the other three once I hit publish on this post.

Book description:

Bridget Lederle resides in the lighthouse she’s tended since her father died. Here, on the rocky shore of Lake Suprior, she’s alone with the bitter ignominy of her birth, the shame of her love child’s death, and the ghost of a mother she never really knew . . .

That all changes on the wintry night she rescues a mysterious, charismatic stranger whose boat is nearly dashed upon the rocks. After she’s nursed him back to health, he tells her a fantastical tale . . . of another world, where somehow only she can save the beleaguered Empress from sorcerous plottings to usurp the throne.

His tale is wildly fanciful, yet Bridget feels somehow drawn to his world, to the empire of Isavalta. Kalami, her handsome, charming patient, transports her with him from Lake Superior to a dazzling world that seems like a dream . . .

But if Isavalta is a dream, Bridget’s new life is a nightmare. Caught in a magical crossfire between the powerful Dowager Empress, her daughter-in-law, an the sorcerers who serve their mistresses and other more subtle ends, she doesn’t know whom to trust, whom to beware . . . With the fate of an empire at stake and her heart torn by conflicting desires, she becomes a reluctant player in a deadly game of politics and magic with rules as hard to untangle as the knots in a silken tassel or the threads of a woven rug.

As she attempts to see beyond the masks of power and discover truth in a world where magical spells can take almost any form, each hour she spends in the luxury of Isavalta’s court bunds her more tightly in the seductive embrace of secrets from her own past and of unfulfilled yearnings she can’t deny. A stranger in this bedazzling place, she must find a path to salvation - for herself and for her new, otherworldly home - but that path seems rockier than the Lake Superior shore she left behind.


The Usurper's Crown (Prologue Fantasy)

Book description:

Ingrid Lotfield was a good woman, doing right by her parents, protecting her sensitive sister, and reliably completing her fair share of the chores necessary for life in their fishing village in 1872, on the cold shore of Lake Superior. Then Avan came. He said he was Norwegian, as many of the fisherman were. He was different - kind and quiet and strong—and one day he somehow miraculously helped to save her sister form a terrible fate in a watery grave.

She knew Avan was from a far land, knew he loved her. They would be married, have children . . . be fisherfolk as had generations before them.

But before they could wed, he was called back to the land of his birth, a land beyond the shore of Superior, beyond Earth, a magical land where he was more than a fisherman. He had to go. He wouldn’t see her hurt, and there were untold forces in his homeland, Isavalta, that could harm her beyond her wildest imaginings. But her love was too strong for him to resist. She would go with him, no matter the risks. So brave, so dear. Together they would face danger and excitement: to save an empire and its empress, and find their own fate, no matter what peril, mo matter how strange.


The Firebird's Vengeance (Prologue Fantasy)

Magic and the force of destiny propelled Bridget Lederle across the void between worlds, through the Land of Death and Spirit, to the world of Isavalta, where she discovered secrets about herself and her family that had been hidden since before her birth. It seems like only yesterday that a charismatic stranger swept her from her home on the shore of Lake Superior and took her on an impossible journey to a strange, bejeweled world where sorcery could spring from the simplest of patterns, with most serious effect.

In Isavalta she also discovered magical powers she had never suspected she possessed before her transit between the worlds. More than self-knowledge has changed her: she is in love with Sakra, a powerful sorcerer and her staunch ally. And she learns that her daughter, who she thought was lost to her, is alive.

But that daughter is also the pawn in a dangerous game of power and politics. The powerful spells of a ruler intent on conquest threaten to destroy both mother and daughter. Torn between the contending forces of magic and empire, Bridget lives an extraordinary adventure replete with unimaginable dangers. Beset by enemies on all sides, she must rely on the aid of supernatural forces she can’t control, lest she be destroyed by a fate she cannot imagine.


Sword of the Deceiver (Prologue Fantasy)

For five hundred years, the great southern empire of Hastinapura has flourished, ruling the world of Isavalta with an iron fist. But nothing lasts forever . . .

The day of her womanhood ceremony finds Princess Natharie of Sindhu happily celebrating with her family, joyfully awaiting her marriage to a prince of another realm. However, when the empire demands that her family send someone to court, Natharie realizes that she is the only one who can satisfy the empror’s wishes.

As Natharie spends time in the Hastinapura court, she learns of the empire’s bloodthirsty worship of the Mothers and of the intention of their high priest, Divakesh, to spread their worship beyond the empire - including into neighboring Sindhu - at any cost.

These plots threaten to pit Natharie’s homeland against Hastinapura in a disastrous war. Appalled by the power and brazenness of the emperor’s brother, Pirnce Samudra, she realizes as each day brings war ever nearer, that the powerful prince may be her only hope to prevent a war that could destroy them all.

Bargain Ebook: Beauty and the Bounty Hunter: Once Upon a Time in the West by Lori Austin



Beauty and the Bounty Hunter: Once Upon a Time in the West by Lori Austin is $2.99 through June 4th in anticipation of the release of the second book in the series, An Outlaw in Wonderland: Once Upon a Time in the West (ONCE UPON A TIME IN WEST), on the same date. I cannot tell from the descriptions how much fairy tale themes are used in these books beyond clever book and series titles, but I thought I would share anyway.

Book description:

Cathleen Chase is no killer—but as Cat O’Banyon, she is a ruthless bounty hunter who always gets her man. Catching one lowlife after another, she continues her search for the only man she really cares to locate. The one whose voice she will never forget; the man who murdered her husband. She’ll stop at nothing to find him.

Con artist Alexi Romanov taught Cat every trick she knows. He is a master of deceit, disguise, and desire. He’s difficult to trust, and even more difficult to resist, but he has news she can’t ignore. The man she’s after has placed a bounty on her head. To get him before he gets her, she’ll have to team up with Alexi again....And just like before, the two of them together are nothing but trouble.

Saturday, June 1, 2013

Hobbit House in Montana









Saw this online this morning and thought I would share for the Hobbit fans out there. I loved all the fairy houses around the house especially. It's very tempting to install a little door to the unknown somewhere in my yard....

Ebook Bargain: Bluebeard: The Autobiography of Rabo Karabekian (1916-1988) (Kurt Vonnegut Series) by Kurt Vonnegut



Today only: Bluebeard: The Autobiography of Rabo Karabekian (1916-1988) (Kurt Vonnegut Series) by Kurt Vonnegut is bargain priced to $1.99 in ebook format on Amazon. This was also on sale in November which is when I picked it up.

Book description:

Bluebeard, published in 1987, is Vonnegut's meditation on art, artists, surrealism, and disaster. Meet Rabo Karabekian, a moderately successful surrealist painter, who we meet late in life and see struggling (like all of Vonnegut's key characters), with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Vonnegut's intention here is not so much satirical (although the contemporary art scene would be easy enough to deconstruct), nor is it documentary (although Karabekian does carry elements of Jackson Pollock and Mark Rothko). Instead, Vonnegut is using art for the same purpose he used science fiction cliches in Slaughterhouse-Five; as a filter through which he can illuminate the savagery, cruelty, and the essentially comic misdirection of human existence.

Readers will recognize familiar Vonnegut character types and archetypes as they drift in and out through the background; meanwhile, Karabekian, betrayed and betrayer, sinks through a bottomless haze of recollection. Like most of Vonnegut's late works, this is both science fiction and cruel contemporary realism at once, using science fiction as metaphor for human damage as well as failure to perceive. Readers will find that Vonnegut's protagonists can never really clarify for us whether they are ultimately unwitting victims or simple barbarians, leaving it up to the reader to determine in which genre this book really fits, if any at all.

ABOUT THE AUTHOR

Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.

Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.

Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.