Showing posts with label nonfiction. Show all posts
Showing posts with label nonfiction. Show all posts

Tuesday, March 18, 2025

New Book: Remembering the Jewish and German Questions: Essays on Fairy Tales, Poetry, and Culture by Jack Zipes

 


Remembering the Jewish and German Questions: Essays on Fairy Tales, Poetry, and Culture by Jack Zipes is officially released next week but is available for ordering now. I haven't had an opportunity to see this book but I immensely admire Zipes' work. I also had the opportunity to finally travel to Germany in 2024 for the first time and appreciated the references to Jewish experiences and culture in the many museums and cathedrals I visited. So this book interests me on multiple levels.

Book description from the publisher:

Remembering the Jewish and German Questions: Essays on Fairy Tales, Poetry, and Culture is a selection of Jack Zipes’s insightful essays and presentations on fairy tales, Jewish studies, philosophy, drama, and the German public sphere.

The collection begins by considering how fairy tales have been shaped by societies, and how they have influenced society in turn. Zipes considers the history of the Grimms’ fairy tales and their popularity and spread – comparing them to an epidemic. The second chapter champions the work and significance of the great philosopher Ernst Bloch, with substantial engagement with the essay collection Not Yet: Reconsidering Ernst Bloch (Daniel and Moylan 1997). Chapter 3 probes into the way society makes sense of the world through fairy tales and fantasy. In Chapter 4, Zipes explores the shift and reemergence of Jewish culture in Germany in the 1990s. He turns to the work of Gilles Deleuze and Félix Guattari to offer insight into the usefulness of a "minor literature" for grasping the impact of Jewish culture as a minor culture in Germany. The next chapter provides a fascinating case study of Hungarian writer and theater director George Tabori’s relationship to the Jewish Question through examination of his plays from 1968 to 1996. Chapter 6 looks to the fall of the Berlin Wall and the unification of Germany in 1990, and questions around Jewish and German relationships in the public sphere. The final chapter offers detailed examination of Theodor Adorno’s essay “Cultural Criticism and Society” (1951) and remembers forgotten poets who wrote remarkable poems in defiance of the barbarism of World War 2.

This interdisciplinary, transnational, and crosscultural collection gathers essays and presentations from Jack Zipes’s captivating oeuvre published or presented across two decades. It provides a celebration of the work of this esteemed and field-defining literary scholar. It is an illuminating book intended for readers interested in fairy tale studies, poetry, drama, and Jewish studies.

And because this always helps me, here is Table of Contents:

Acknowledgements

Introduction

Chapter 1. Towards an Epidemiology of the Grimms' Fairy Tales

Chapter 2. Traces of Hope: The Nonsynchronicity of Ernst Bloch

Chapter 3. Why Fantasy Matters Too Much: The Delusion and Hope of the Fantastic 

Chapter 4. The Contemporary German Fascination for Things Jewish: Toward a Jewish Minor Culture

Chapter 5. George Tabori and the Jewish Question

Chapter 6. Inclusion as Exclusion: Framing Jewish and German Questions in the Public Sphere

Chapter 7. On the Necessity of Writing Poetry and Stories after Auschwitz: A Reassessment of Adorno’s Cultural Critique

Bibliography

Index

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Thursday, March 13, 2025

Specters of the Marvelous: Race and the Development of the European Fairy Tale by Kimberly J. Lau

 

Specters of the Marvelous: Race and the Development of the European Fairy Tale (The Donald Haase Series in Fairy-Tale Studies) by Kimberly J. Lau was released in December 2024. 

The entire book is fascinating. The inclusion of Andrew and Nora Lang's work is perhaps of most interest to me, although I enjoyed all of the discussions, because their work was purposely multicultural before that was even a common term, but still very much a product of the authors' British nationality and time in history.

Book description from the publisher:

In stories retold for generations, wondrous worlds and magnificent characters have defined the genre of European fairy tales with little recognition of yet another defining aspect―racism and racialized thinking. Engaging four classic fairy-tale collections, author Kimberly J. Lau connects close readings of the tales to the cultural discourses, scholarly debates, and imperial geopolitics that established and perpetuated ideas about racial difference and white superiority. Within the tales of Giambattista Basile, Marie-Catherine d'Aulnoy, the Grimms, and Andrew and Nora Lang, Lau teases apart and historicizes the racialized themes and ideologies embedded within fairy tales spanning the early seventeenth to early twentieth centuries. She contends that the European fairy tale is definitively marked, whether implicitly or explicitly, by whiteness, and given the genre's documented colonization of diverse narrative traditions over time, this specter of race is all the more haunting. This trailblazing work demonstrates the continuous evolution of racialized thinking that has informed the publication and dissemination of fairy tales. Here, Lau provides a new framework for understanding European fairy tales in the milieux in which they were created, bringing distant and ethereal worlds back to earth.

 Reviews

"Fairy-tale studies has needed this book for a long time. With meticulous historical and narrative analysis, Kimberly J. Lau lays out a consummate reckoning of racism in the European tale tradition. The unmarked, naturalized, inevitable whiteness of the tales is thoroughly debunked. This is literary litigation at its finest. A world of assumptions unmasked by a scholar who is also an intrepid investigator working at the highest level of commitment to giving us new truths about the old stories that still shape our worldview."―Kay Turner, coeditor of Transgressive Tales: Queering the Grimms (Wayne State University Press), and founder of the What a Witch project

"In eye-opening ways, Specters of the Marvelous: Race and the Development of the European Fairy Tale does for fairy tales what Ebony Elizabeth Thomas's The Dark Fantastic did for fantasy and Isiah Lavender III's Race in American Science Fiction did for science fiction. We do not have to agree with every one of Kimberly J. Lau's interpretations, but it is impossible after reading this carefully researched book to unsee the workings of racial ideologies and representations in foundational European literary collections of fairy tales, and it is clear how insisting on the power of non-Euro-American wonder genres counters that history―and matters today. This distinctive contribution to viewing fairy-tale history and intersectionality is a must-read in fairy-tale studies."―Cristina Bacchilega, professor emerita, University of Hawai'i at Mānoa, and coeditor of Marvels & Tales: Journal of Fairy-Tale Studies (Wayne State University Press)

"Kimberly J. Lau's Specters of the Marvelous foregrounds race in often whitewashed European fairy tales. A compelling history of race in literary European fairy tales."―Foreword Magazine

I received a paperback edition of this book for reviewing purchases from the publisher. As an Amazon Associate, the SurLaLune Fairy Tale site earns a percentage from qualifying purchases as a referral incentive which helps support the site. Your cost does not increase by using the links on this site. Read SurLaLune's Privacy Policy here.

Wednesday, December 18, 2024

Bargain Ebook: Breaking the Magic Spell: Radical Theories of Folk & Fairy Tales by Jack Zipes

 


Breaking the Magic Spell: Radical Theories of Folk & Fairy Tales by Jack Zipes is on sale for $2.99. This could end at any time since it was a deal for yesterday but it still active as I post this. 

Book description from the publisher:

“Zipes ably demonstrates that moral, political, religious, and other ideologies have shaped these apparently innocent narratives.” —Lore and Language

This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories. He examines a range of authors, including the Brothers Grimm, Hans Christian Anderson, Ernst Bloch, Tolkien, Bettelheim, and J.K. Rowling to demonstrate the continuing symbiotic relationship between folklore and literature.

“The name Jack Zipes is synonymous with highly regarded and widely read anthologies and critiques of fairy tales.” —Choice

“Fairy Tales are a highly fashionable study today for literary scholars as well as folklorists, and another new book shows what a range of interest can be evoked by them. This time in Jack Zipes’ interesting and vigorous study.” —Encounter

“Places traditional tales in their socio-political, economic and cultural contexts.” —Teacher Librarian

“Zipes reveals the extraordinary breadth of his acquaintance with both recent and classic literature in the field of folk and fairytale research.” —Fabula

“Zipes manages the impressive trick of communicating both detail and overview without simplifying either . . . the serious folklorist should definitely have this on his bookshelf.” —Fortean Times

As an Amazon Associate, the SurLaLune Fairy Tale site earns a percentage from qualifying purchases as a referral incentive which helps support the site. Your cost does not increase by using the links on this site. Read SurLaLune's Privacy Policy here. 

Friday, August 20, 2021

Bargain Ebook The Storytelling Animal: How Stories Make Us Human by Jonathan Gottschall, $1.99 TODAY ONLY


The Storytelling Animal: How Stories Make Us Human by Jonathan Gottschall is on sale TODAY ONLY for $1.99 in ebook format. This isn't quite a folklore book but it's certainly an adjacent topic. I bought this last time it was on sale but unfortunately it still sits in my long TBR list as life keeps distracting me from my passions.

Book description:

Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. It’s easy to say that humans are “wired” for story, but why?

In this delightful and original book, Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems—just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.

Drawing on the latest research in neuroscience, psychology, and evolutionary biology, Gottschall tells us what it means to be a storytelling animal. Did you know that the more absorbed you are in a story, the more it changes your behavior? That all children act out the same kinds of stories, whether they grow up in a slum or a suburb? That people who read more fiction are more empathetic?

Of course, our story instinct has a darker side. It makes us vulnerable to conspiracy theories, advertisements, and narratives about ourselves that are more “truthy” than true. National myths can also be terribly dangerous: Hitler’s ambitions were partly fueled by a story.

But as Gottschall shows in this remarkable book, stories can also change the world for the better. Most successful stories are moral—they teach us how to live, whether explicitly or implicitly, and bind us together around common values. We know we are master shapers of story. The Storytelling Animal finally reveals how stories shape us.

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Wednesday, February 24, 2021

TODAY ONLY: Bargain Ebook for $1.99: Shadow and Evil in Fairy Tales by Marie-Louise von Franz

Shadow and Evil in Fairy Tales: Revised Edition (C. G. Jung Foundation Books Series Book 1) by Marie-Louise von Franz is a Kindle Daily Deal for $1.99 today. The paperback is $22.00. You don't have to have a Kindle to read this. You can read on the free Kindle apps for your phone, computer or tablet. I just had that question from a family member about another book so I thought I would point it out for anyone not in the know. I don't think this has ever been on sale this cheap in ebook format so this is a deal. You can't find a used copy for this price if you are interested in Jungian fairy tale studies.

Book description:

A renowned psychologist examines fairy tales through a Jungian lens, revealing what they can teach us about the darkest sides of human behavior.
 
Fairy tales seem to be innocent stories, yet they contain profound lessons for those who would dive deep into their waters of meaning. In this book, Marie-Louise von Franz uncovers some of the important lessons concealed in tales from around the world, drawing on the wealth of her knowledge of folklore, her experience as a psychoanalyst and a collaborator with Jung, and her great personal wisdom. Among the many topics discussed in relation to the dark side of life and human psychology, both individual and collective, are:
 
• How different aspects of the "shadow"—all the affects and attitudes that are unconscious to the ego personality—are personified in the giants and monsters, ghosts, and demons, evil kings, and wicked witches of fairy tales
• How problems of the shadow manifest differently in men and women
• What fairy tales say about the kinds of behavior and attitudes that invite evil
• How Jung's technique of Active imagination can be used to overcome overwhelming negative emotions
• How ghost stories and superstitions reflect the psychology of grieving
• What fairy tales advise us about whether to struggle against evil or turn the other cheek

 

Dr. von Franz concludes that every rule of behavior that we can learn from the unconscious through fairy tales and dreams is usually a paradox: sometimes there must be a physical struggle against evil and sometimes a contest of wits, sometimes a display of strength or magic and sometimes a retreat. Above all, she shows the importance of relying on the central, authentic core of our being—the innermost Self, which is beyond the struggle between the opposites of good and evil.

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Monday, February 22, 2021

New Book: Inviting Interruptions: Wonder Tales in the Twenty-First Century editedby Cristina Bacchilega and Jennifer Orme



Inviting Interruptions: Wonder Tales in the Twenty-First Century editedby Cristina Bacchilega and Jennifer Orme is officially released this week.

Book description:

Inviting Interruptions: Wonder Tales in the Twenty-First Century anthologizes contemporary stories, comics, and visual texts that intervene in a range of ways to challenge the popular perception of fairy tales as narratives offering heteronormative happy endings that support status-quo values. The materials collected in Inviting Interruptions address the many ways intersectional issues play out in terms of identity markers, such as race, ethnicity, class, and disability, and the forces that affect identity, such as non-normative sexualities, addiction, abuses of power, and forms of internalized self-hatred caused by any number of external pressures. But we also find celebration, whimsy, and beauty in these same texts-qualities intended to extend readers' enjoyment of and pleasure in the genre.

Edited by Cristina Bacchilega and Jennifer Orme, the book is organized in two sections. "Inviting Interruptions" considers the invitation as an offer that must be accepted in order to participate, whether for good or ill. This section includes Emma Donoghue's literary retelling of "Hansel and Gretel," stills from David Kaplan's short Little Red Riding Hood film, Bryan Kamaoli Kuwada's story about stories rooted in Hawaiian tradition and land, and Shary Boyle, Shaun Tan, and Dan Taulapapa McMullin's interruptions of mainstream images of beauty-webs, commerce, and Natives. "Interrupting Invitations" contemplates the interruption as a survival mechanism to end a problem that has already been going on too long. This section includes reflections on migration and sexuality by Diriye Osman, Sofia Samatar, and Nalo Hopkinson; and invitations to rethink human and non-human relations in works by Anne Kamiya, Rosario Ferr?, Veronica Schanoes, and Susanna Clark.

Each text in the book is accompanied by an editors' note, which offers questions, critical resources, and other links for expanding the appreciation and resonance of the text. As we make our way deeper into the twenty-first century, wonder tales-and their critical analyses-will continue to interest and enchant general audiences, students, and scholars.


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Friday, November 20, 2020

TODAY ONLY: Bargain Book: The Interpretation of Fairy Tales: Revised Edition by Marie-Louise von Franz

The Interpretation of Fairy Tales: Revised Edition by Marie-Louise von Franz is on sale in ebook format TODAY ONLY for $2.99. This is a rare surprise in the Kindle Daily Deals. I didn't own this in ebook although I did in paper so I got it for my digital library.

Book description:

A Jungian psychologist explains how careful analyses of fairy tales like “Beauty and the Beast” can lead to a better understanding of human psychology

Of the various types of mythological literature, fairy tales are the simplest and purest expressions of the collective unconscious and thus offer the clearest understanding of the basic patterns of the human psyche. Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind.

Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom."

Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

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Wednesday, August 5, 2020

New Book: 101 Middle Eastern Tales and Their Impact on Western Oral Tradition by Dr. Ulrich Marzolph



101 Middle Eastern Tales and Their Impact on Western Oral Tradition (Series in Fairy-Tale Studies) by Prof. Dr. Ulrich Marzolph will be released on August 18, 2020 and is available for pre-order.

Just to be clear, although this title may sound like it is a collection of folktale texts from the Middle East, it is not. The full tale texts are not included. There are many more than 101 individual tales discussed, too. The volume offers a discussion of the tales arranged by theme and motifs instead. I received a copy of this book for review and although I haven't read the entire thing--it is over 700 pages long including the appendices--it is a great reference book for discussion of various ATU (Aarne Thompson Uther) tale types that can be found in the Middle East. Each chapter is devoted to a different ATU tale type. For example, Chapter 2 is "Belling the Cat (ATU 110)" and Chapter 8 is "The Two Hunchbacks (ATU 503)", just two of the tales I am very familiar with in recent years as I have used them in SurLaLune Folklore anthology work. I found some new information to me in each of these chapters despite being very familiar with them since resources in English for these have been limited. This is a great way to learn more about several tale types (101 of them to be exact) you may be less familiar with. And, no, you don't need to be familiar with the ATU tale type system. This volume uses the system as a guide to organize, group and discuss many tales while providing primary and secondary resources to read more. The Works Cited list is a cornucopia of resources, too. Marzolph is one of the leaders in this area of folklore studies and his vast knowledge and experience shows. Overall, this is highly recommended and filled a gap in my extensive folklore library.

Book description:

Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures (i.e., authored written works in Arabic, Persian, and Ottoman Turkish). For a tale to be included, Ulrich Marzolph considered two criteria: that the tale originates from or at least was transmitted by a Middle Eastern source, and that it was recorded from a Western narrator's oral performance in the course of the nineteenth or twentieth century. The rationale behind these restrictive definitions is predicated on Marzolph's main concern with the long-lasting effect that some of the "Oriental" narratives exercised in Western popular tradition-those tales that have withstood the test of time.

Marzolph focuses on the originally "Oriental" tales that became part and parcel of modern Western oral tradition. Since antiquity, the "Orient" constitutes the quintessential Other vis-à-vis the European cultures. While delineation against this Other served to define and reassure the Self, the "Orient" also constituted a constant source of fascination, attraction, and inspiration. Through oral retellings, numerous tales from Muslim tradition became an integral part of European oral and written tradition in the form of learned treatises, medieval sermons, late medieval fabliaux, early modern chapbooks, contemporary magazines, and more. In present times, when national narcissisms often acquire the status of strongholds delineating the Us against the Other, it is imperative to distinguish, document, visualize, and discuss the extent to which the West is not only indebted to the Muslim world but also shares common features with Muslim narrative tradition. 101 Middle Eastern Tales and Their Impact on Western Oral Tradition is an important contribution to this debate and a vital work for scholars, students, and readers of folklore and fairy tales.

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Tuesday, August 4, 2020

New Book: Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures



Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures (Series in Fairy-Tale Studies) by Mayako Murai and Luciana Cardi is officially released on August 25, 2020. It is available for pre-order.

Book description:

Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures seeks to "re-orient" the fairy tale across different cultures, media, and disciplines and proposes new approaches to the ever-expanding fairy-tale web in a global context with a special emphasis on non-Euro-American materials. Editors Mayako Murai and Luciana Cardi bring together emerging and established researchers in various disciplines from around the world to decenter existing cultural and methodological assumptions underlying fairy-tale studies and suggest new avenues into the increasingly complex world of fairy-tale cultures today.

Divided into three parts, the fourteen essays cover a range of materials from Hawaiian wonder tales to Japanese heroine tales to Spanish fairy-tale film adaptation. Chapters include an invitation from Cristina Bacchilega to explore the possibilities related to the uncanny processes of both disorientation and re-orientation taking place in the "journeys" of wonder tales across multiple media and cultures. Aleksandra Szugajew's chapter outlines the strategies adopted by recent Hollywood live-action fairy-tale films to attract adult audiences and reveals how this new genre offers a form of global entertainment and a forum that invites reflection on various social and cultural issues in today's globalizing world. Katsuhiko Suganuma draws on queer theory and popular musicology to analyze the fairy-tale intertexts in the works of the Japanese all-female band Princess Princess and demonstrate that popular music can be a medium through which the queer potential of ostensibly heteronormative traditional fairy tales may emerge. Daniela Kato's chapter explores the ecological dimensions of Carter's literary fairy tale and offers an ecofeminist interpretation of a fairy-tale forest as a borderland that lies beyond the nature-culture dichotomy.

Readers will find inspiration and new directions in the cross-cultural and interdisciplinary approaches to fairy tales provided by Re-Orienting the Fairy Tale.

Reviews:

Re-Orienting the Fairy Tale represents a significant contribution to an emerging area of inquiry in which there is a great deal of intellectual interest. Since many of the themes explored are not treated comprehensively elsewhere, it will prove attractive to a readership seeking to understand cutting-edge developments in the field of study. The book is also socially and intellectually important in the challenges it makes to hierarchical and binaristic thinking and in its determination to revalue indigenous storytelling cultures that have been marginalized by neo-imperial global media.

– Andrew Teverson, author of The Fairy Tale World

In its Puckish way, this volume pleasantly disorients scholars who are familiar only with the path of Eurocentric concepts of fairy tales. In so doing, it leads them to robust storytelling traditions from many non-Western cultures. Meanwhile, contributors’ postmodern strategies, lucidly developed, offer provocative ways to appreciate familiar Western tales.

– Bill Ellis, professor emeritus of English and American studies, Penn State University

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Tuesday, June 4, 2019

New Book: Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture by Claudia Schwabe



Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture (Fairy-Tale Studies) by Claudia Schwabe is officially released this week.

The book description below describes the book exceptionally well. As I thumbed through the review copy I received, I appreciated all over again the influence of German folklore on American pop culture. I especially liked for my own personal interests the 2nd chapter on evil queens and witches and the 4th chapter on dwarves. Disney's influence is addressed here, too, for those who study Disney fairy tales. Those Disney dwarfs! When I first started SurLaLune when the internet was in its toddler stage, I was inundated with requests for the seven dwarfs names every day. The internet has grown past my site being needed to answer that question but it reminds me of how much the online information highway has changed since I started playing on it.

Book description:

Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories-they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America.

The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Time and the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality.

Craving Supernatural Creatures is a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.

Friday, March 22, 2019

New Book: Teaching Fairy Tales (Series in Fairy-Tale Studies) by Nancy L Canepa



Teaching Fairy Tales (Series in Fairy-Tale Studies) by Nancy L Canepa (Editor, Contributor) was released this month. I received a review copy and it is an interesting read. And yes, SurLaLune does get mentioned in one article as a good source to use for one recommended exercise.

I couldn't find an easy to copy text version of the Table of Contents but you can view it at Google Books preview. I recommend looking at that to see the wide range of articles and syllabai examples included. A great resource for inspiring different ways to use fairy tales across many disciplines.

Book description:

Teaching Fairy Tales edited by Nancy L. Canepa brings together scholars who have contributed to the field of fairy-tale studies since its origins. This collection offers information on materials, critical approaches and ideas, and pedagogical resources for the teaching of fairy tales in one comprehensive source that will further help bring fairy-tale studies into the academic mainstream.

The volume begins by posing some of the big questions that stand at the forefront of fairy-tale studies: How should we define the fairy tale? What is the "classic" fairy tale? Does it make sense to talk about a fairy-tale canon? The first chapter includes close readings of tales and their variants, in order to show how fairy tales aren't simple, moralizing, and/or static narratives. The second chapter focuses on essential moments and documents in fairy-tale history, investigating how we gain unique perspectives on cultural history through reading fairy tales. Contributors to chapter 3 argue that encouraging students to approach fairy tales critically, either through well-established lenses or newer ways of thinking, enables them to engage actively with material that can otherwise seem over-familiar. Chapter 4 makes a case for using fairy tales to help students learn a foreign language. Teaching Fairy Tales also includes authors' experiences of successful hands-on classroom activities with fairy tales, syllabi samples from a range of courses, and testimonies from storytellers that inspire students to reflect on the construction and transmission of narrative by becoming tale-tellers themselves.

Teaching Fairy Tales crosses disciplinary, historical, and national boundaries to consider the fairy-tale corpus integrally and from a variety of perspectives. Scholars from many different academic areas will use this volume to explore and implement new aspects of the field of fairy-tale studies in their teaching and research.

Nancy Canepa is associate professor of Italian at Dartmouth College. Her publications include From Court to Forest: Giambattista Basile and the Birth of the Literary Fairy Tale (Wayne State University Press, 1999), Out of the Woods: The Origins of the Literary Fairy Tale in Italy and France (Wayne State University Press, 1997), and the translation of Giambattista Basile’s The Tale of Tales (Wayne State University Press, 2007).

Contributors Include:
Graham Anderson, Cristina Bacchilega, Benjamin Balak, Faith E. Beasley, Elio Brancaforte, Nancy L. Canepa, Anne E. Duggan, Donald Haase, Christine A. Jones, Maria Kaliambou, Julie L. J. Koehler, Charlotte Trinquet du Lys, Suzanne Magnanini, Cristina Mazzoni, Gina Miele, William Moebius, Maria Nikolajeva, Jennifer Schacker, Ann Schmiesing, Lewis C. Seifert, Victoria Somoff, Allison Stedman, Kay Stone, Maria Tatar, Gioia Timpanelli, Linda Kraus Worley, Jack Zipes

Tuesday, January 23, 2018

New Book: The Annotated African American Folktales



The Annotated African American Folktales by Henry Louis Gates Jr. (Editor) and‎ Maria Tatar (Editor)
was released late last year but is timely to consider now for upcoming Black History Month in February. I always have a great affection for these stories since they tend to be predominantly from the Southern U.S., making them something I grew up with. Folklore is often a genre of empowerment for the powerless or less powerful peoples in history, be it powerlessness from age, gender, race, etc. This collection is an excellent reminder of the power of folklore. From the introductions to the annotations, there is a lot to be learned and appreciated within these pages while the tales themselves can be very entertaining.

Book description:

These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature.

Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.

Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation―a spider who plots and weaves in scandalous ways―The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore.

Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive.

The Annotated African American Folktales includes:


  • Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background
  • The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman
  • An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon
  • Approximately 200 full-color, museum-quality images color throughout; 160 illustrations

Monday, January 8, 2018

Folklore Bargain Books Today Only!


SurLaLune is not dead, it's just been hibernating. To get the new year--SurLaLune's 20th!--started, I am sharing some bargain ebooks that are available today only.


Treasury of Greek Mythology: Classic Stories of Gods, Goddesses, Heroes & Monsters by Donna Jo Napoli (Author) and‎ Christina Balit (Illustrator) is on sale for $1.99 today and Celtic Tales: Fairy Tales and Stories of Enchantment from Ireland, Scotland, Brittany, and Wales by Kate Forrester is on sale for $3.99.

Book description for Treasury of Greek Mythology: Classic Stories of Gods, Goddesses, Heroes & Monsters by Donna Jo Napoli (Author) and‎ Christina Balit (Illustrator):

School Library Journal Best Books of 2011

Eureka! Silver Honor Books—California Reading Association

Capitol Choices 2012 list of Noteworthy Titles for Children and Teens

2012 Notable Children's Books—ALSC

The new National Geographic Treasury of Greek Mythology offers timeless stories of Greek myths in a beautiful new volume. Brought to life with lyrical text by award-winning author Donna Jo Napoli and stunning artwork by award-winning illustrator Christina Balit, the tales of gods and goddesses such as Zeus, Aphrodite, Apollo, and Athena and heroes and monsters such as Helen of Troy, Perseus, and Medusa will fascinate and engage children’s imaginations.

National Geographic completes the book with embellishments of each story: sidebars for each god, goddess, hero, and monster link the myths to constellations, geography, history, and culture to help young readers connect the stories to real life events, people, and places. A family tree and a “cast of characters” profile page help make relationships between the characters clear, and a mapping feature adds to the fun and fascination. Resource notes and ample back matter directing readers to more information round out this luminous book. Sure to dazzle all those intrigued with the fantastic tales of Greek mythology and enchant new readers, this vibrant book will soon become a family keepsake.

National Geographic supports K-12 educators with ELA Common Core Resources.

Book description for Celtic Tales: Fairy Tales and Stories of Enchantment from Ireland, Scotland, Brittany, and Wales by Kate Forrester:

The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. Translated and transcribed by folklorists in the late 19th and early 20th centuries, the 16 stories in this compilation conjure forgotten realms and rare magical creatures in vivid prose. These timeless tales brim with wit and magic, and each one is brought to life with elegant silhouette art by Kate Forrester in this special illustrated edition.

Thursday, September 7, 2017

New Book: Relief after Hardship: The Ottoman Turkish Model for The Thousand and One Days by Ulrich Marzolph



Relief after Hardship: The Ottoman Turkish Model for The Thousand and One Days (Series in Fairy-Tale Studies) by Ulrich Marzolph was released earlier this year, another entry in Wayne State University Press's Series in Fairy-Tale Studies.

Marzolph is a scholar of Islamic studies and has previously published books about the Arabian Nights (Thousand and One Nights), not to be confused with this book's topic, The Thousand and One Days, of which I admit to not having been very familiar when I read this--mostly because reliable English translations are not really around. One public domain version can be found at The thousand and one days; a companion to the "Arabian nights" by Miss (Julia) Pardoe at archives.org, a version that is much abbreviated and intended for a "safe" audience.

You can also find early editions (in two volumes) at The Persian and Turkish tales, compleat, Volume 1 By François Pétis de La Croix and The Thousand and One Days: Persian Tales compleat, Volume 1 By François Pétis de La Croix at Google Books.

Anyway, this is a fascinating volume about a relatively forgotten book of folk tales with a discussion of their sources, their influences, as well as summaries and discussions of the tales. If this area of folklore interests you, this is a must read.

Book description:

The Thousand and One Days, a companion collection to The Thousand and One Nights, was published in 1710-1712 by French Orientalist scholar François Pétis de la Croix who advertised it as the faithful, albeit selective translation of a Persian work. Subsequent research has found that The Thousand and One Days is actually the adapted translation of a fifteenth-century anonymous Ottoman Turkish compilation titled Relief after Hardship. This compilation, in turn, is the enlarged translation of an equally anonymous Persian collection of tales that likely dates back to as early as the thirteenth century. The tales in both the Ottoman Turkish and the Persian collections are mostly tales of the marvelous and the strange, a genre that dominated much of the narrative literatures of the pre-modern Muslim world.

Ulrich Marzolph's Relief after Hardship: The Ottoman Turkish Model for The Thousand and One Days is a detailed assessment of the Ottoman Turkish compilation and its Persian precursor. Based upon Andreas Tietze's unpublished German translation of the Ottoman Turkish Ferec ba'd es-sidde, it traces the origins of the collection's various tales in the pre-modern Persian and Arabic literatures and its impact on Middle Eastern and world tradition and folklore. Ottoman Turkish literature proves to be a suitable candidate for the transmission of tales from East to West long before the European translation of The Thousand and One Nights. Additionally, the concept of "relief after hardship" has the same basic structure as the European fairy tale, wherein the protagonist undergoes a series of trials and tribulations before he attains a betterment of his status. Marzolph contends that the early reception of these tales from Muslim narrative tradition might well have had an inspiring impact on the nascent genre of the European fairy tale that has come to know international success today.

This fascinating compilation of tales is being presented for the first time to an English language audience along with a comprehensive survey of its history, as well as detailed summaries and extensive comparative annotations to the tales that will be of interest to literature and folklore scholars.

About the Author

Ulrich Marzolph is a professor of Islamic studies at the Georg-August University in Göttingen, Germany. Having served on the editorial board of the Enzyklopädie des Märchens (1986-2015), he is now conducting a research project studying the impact of narratives from the Muslim Middle East on Western tradition. He is the editor of The Arabian Nights Reader (Wayne State University Press, 2006) and The Arabian Nights in Transnational Perspective (Wayne State University Press, 2007).

Tuesday, September 5, 2017

New Book: The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid"



The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" (Series in Fairy-Tale Studies) by Lucy Fraser was officially released in June, the latest release in Wayne State University Press's Series in Fairy-Tale Studies.

Okay, I received a review copy of this and I admit although mermaids, Japanese folklore, etc. are not my primary areas of focus of interest lately, this book is fascinating and kept me reading. And really, I find the fascination with Andersen's Little Mermaid, well, fascinating. It has never been my favorite fairy tale, but this book helped me understand the ongoing resonance it has with English and Japanese readers (and viewers). It makes me want to revamp the Little Mermaid annotated tale section on SurLaLune site (which is going to get relaunched someday, hopefully by the end of the year!). In the end, this book is catnip because it does study the story cross-culturally which truly is one of my primary interests in fairy tale studies in general.

The Series in Fairy-Tale Studies continues to impress and capture me. So grateful for it and the opportunity it is providing scholars to publish a wide variety of studies in the field.

Book description:

Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" explores Japanese and English transformations of Hans Christian Andersen's 1837 Danish fairy tale "The Little Mermaid" by focusing on pleasure as a means to analyze the huge variety of texts that transform a canonical fairy tale such as Andersen's. Fraser examines over twenty Japanese and English transformations, including literary texts, illustrated books, films, and television series. This monograph also draws upon criticism in both Japanese and English, meeting a need in Western fairy-tale studies for more culturally diverse perspectives. Fraser provides a model for critical cross-cultural fairy tale analysis in her examination of the journey of a single fairy tale across two languages.

The book begins with the various approaches to reading and writing fairy tales, with a history of "The Little Mermaid" in Japanese and English culture. Disney's The Little Mermaid and Studio Ghibli's Ponyo on the Cliff by the Sea are discussed as examples that simulate pleasurable physical experiences through animation's tools of music and voice, and visual effects of movement and metamorphosis. Fraser then explores the literary effects of the fairy tale by male authors, such as Oscar Wilde, Tanizaki Jun'ichiro, and Abe Kobo, who invoke familiar fairy-tale conventions and delineate some of the pleasures of what can be painful enchantment with a mermaid or with the fairy tale itself. The author examines the portrayals of the mermaid in three short stories by Matsumoto Yuko, Kurahashi Yumiko, and Ogawa Yoko, engaging with familiar fairy tales, reference to fairy-tale research, and reflections on the immersive experience of reading. Women characters and authors are also hyperaware of the possible meanings of Andersen's "The Little Mermaid" and of the fairy tale itself, furthering the discussion with Nonaka Hiiragi's novel Ningyo-hime no kutsu, and D[di?]'s novel Sento no ningyo-hime to majo no mori, as well as an episode of the science fiction television series Dark Angel. Fraser concludes that the "pleasure" framework is useful for a cross-cultural study of creative engagements with and transformations of a particular fairy tale.

Few studies have examined Japanese fairy-tale transformations to the extent that Fraser has, presenting fascinating information that will intrigue fairy-tale scholars and those wanting to learn more about the representation of pleasure behind the imaginative and fantastical.

About the Author

Lucy Fraser is a lecturer in Japanese at the University of Queensland, Australia. Her research on Japanese and English retellings of fairy tales in literature and popular culture has appeared in Marvels and Tales: Journal of Fairy-Tale Studies, Japan Forum, and Global Manga Studies. She has also published translations of literature by leading writers such as Kawakami Hiromi and Hoshino Tomoyuki and of literary criticism by academics such as Honda Masuko and Kan Satoko.

Wednesday, July 19, 2017

The Sorcerer's Apprentice: An Anthology of Magical Tales by Jack Zipes



The Sorcerer's Apprentice: An Anthology of Magical Tales by Jack Zipes was released earlier this year. These are just the type of books I adore--obviously since I work on similar collections myself--with a single theme offered in a wide variety of tales and stories from around the globe. Lovely. And when an expert like Jack Zipes is at the helm, double the loveliness. The book will be reliable and it will be affordable, too. So everyone wins!

The book is worth the price of admission for the introduction alone, but then you actually get the tales to read, too. This is also an excellent gateway book to introduce folklore to Harry Potter fans--a definite marketing angle the book provides, being quite self-aware of that. But J.K. Rowling drew from folklore for her inspiration and here is a book that shows how rich those sources are, even though Rowling was probably unaware of many of these herself.

Book description:

A diverse new anthology that traces the meaning and magic of the sorcerer's apprentice tale throughout history

"The Sorcerer's Apprentice" might conjure up images of Mickey Mouse from the Disney film Fantasia, or of Harry Potter. As this anthology reveals, however, "sorcerer's apprentice" tales―in which a young person rebels against, or complies with, an authority who holds the keys to magical powers―have been told through the centuries, in many languages and cultures, from classical times to today. This unique and beautifully illustrated book brings together more than fifty sorcerer's apprentice stories by a plethora of writers, including Ovid, Sir Walter Scott, and the Brothers Grimm. From Goethe's "The Pupil in Magic" to A. K. Ramanujan's "The Guru and His Disciple," this expansive collection presents variations of a classic passed down through countries and eras.

Readers enter worlds where household objects are brought to life and shape-shifting occurs from human to animal and back again. We meet two types of apprentice: "The Humiliated Apprentice," a foolish bumbler who wields magic ineffectively and promotes obedience to authority; and "The Rebellious Apprentice" who, through ambition and transformative skills, promotes empowerment and self-awareness. In an extensive introduction, esteemed fairy-tale scholar Jack Zipes discusses the significance and meaning of the apprentice stories, the contradictions in popular retellings, and the importance of magic as a tool of resistance against figures who abuse their authority. Twenty specially commissioned black-and-white illustrations by noted artist Natalie Frank bring the stories to visual life.

The Sorcerer's Apprentice enlightens and entertains readers with enduring, spellbinding tales of sorcery that have been with us through the ages.

TABLE OF CONTENTS:

List of Figures ix
Preface xi
Notes and Acknowledgments xxiii
Introduction
The Sorcerer's Apprentice, Harry Potter, and Why Magic Matters 1

Part I The Humiliated Apprentice Tales

Early Tales
Lucian of Samosata, "Eucrates and Pancrates" (ca. 170 CE) 85
François Pétis de la Croix, "The Story of the Brahmin Padmanaba and the Young Hassan" (1707) 88
Johann Wolfgang von Goethe, "The Pupil in Magic" (1798) 97

Nineteenth-Century Tales
Robert Southey, "Cornelius Agrippa's Bloody Book" (1801) 101
Sir Walter Scott, "The Last Exorciser" (1838) 103
John Naaké, "The Book of Magic" (1874) 103
Alfred Cooper Fryer, "The Master and His Pupil; or, The Magic Book" (1884) 105
Sheykh-Zāda, "The Lady's Fifth Story" (1886) 110
Edith Hodgetts, "The Blacksmith and the Devil" (1890) 112

Twentieth-Century Tales
Henry Thomas Francis, "The Rash Magician" (1916) 117
Richard Rostron, "The Sorcerer's Apprentice" (1941) 119
Richard Dorson, "The Mojo" (1956) 123
Harold Courlander, "The Do-All Ax" (1957) 124

Part II The Rebellious Apprentice Tales

Early Tales
Ovid, "Erysichthon and Mestra" (8 CE) 129
Rachel Harriette Busk, "The Saga of the Well-and-Wise-Walking Khan" (ca. 3rd Century to 11th Century) 136
Somadeva, "Bhavasarman and the Two Witches" (ca. 1070) 140
Farīd al-Dīn ʿAttār, "The Magician's Apprentice" (ca. 1220) 142
Giovan Francesco Straparola, "Maestro Lattantio and His Apprentice Dionigi" (1553) 144
Sangendhi Mahalingam Natesa Sastri, "The Deceiver Shall Be Deceived" (ca. 1770) 151

Nineteenth-Century Tales
Jacob and Wilhelm Grimm, "The Nimble Thief and His Master" (1819) 163
Kazimierz Wladyslaw Woycicki, "The Sorcerer and His Apprentice" (1839) 166
Arthur and Albert Schott, "The Devil and His Pupil" (1845) 169
Ludwig Bechstein, "The Magic Combat" (1857) 174
Johann Georg von Hahn, "The Teacher and His Pupil" (1864) 178
Giuseppe Pitrè, "The Tuft of Wild Beet" (1875) 184
Domenico Comparetti, "Oh, Relief!" (1875) 190
François-Marie Luzel, "The Magician and His Servant" (1885) 193
George Webbe Dasent, "Farmer Weathersky" (1888) 202
Jerome Curtin, "The Fisherman's Son and the Gruagach of Tricks" (1890) 209
Edith Hodgetts, "The Wonderful Trade" (1890) 218
Charles Swynnerton, "The Story of Ali the Merchant and the Brahmin" (1892) 227

Twentieth-Century Tales
Leo Wiener, "The Tale of the Sorcerer" (1902) 243
Joseph Charles Mardrus, "The Twelfth Captain's Tale" (ca. 1904) 247
Fletcher Gardner, "The Battle of the Enchanters" (1907) 253
Peter Buchan, "The Black King of Morocco" (1908) 254
Cecil Henry Bompas, "The Boy Who Learnt Magic" (1909) 257
Edith Nesbit, "The Magician's Heart" (1912) 260
Claude-Marius Barbeau, "The Two Magicians" (1916) 272
Hermann Hesse, "The Forest Dweller" (1917) 274
Heywood Broun, "Red Magic" (1921) 281
Dean Fansler, "The Mysterious Book" (1921) 286
Elsie Clews Parsons, "The Battle of the Enchanters" (1923) 289
Romuald Pramberger, "The Sorcerer's Apprentice" (1926) 293
Seumas MacManus, "The Mistress of Magic" (1926) 296
Joseph Médard Carrière, "The Two Magicians" (1937) 306
John Mason Brewer, "The High Sheriff and His Servant" (1958) 311
Corinne Saucier, "The Man and His Son" (1962) 312
A. K. Ramanujan, "The Magician and His Disciple" (1997) 313

Part III Krabat Tales

Joachim Leopold Haupt, "About an Evil Man in Groß-Särchen" (1837) 323
Michael Hornig, "Krabat: A Legend from Folklore" (1858) 324
Georg Gustav Kubasch, "Krabat" (1865) 326
Edmund Veckenstedt, "The Sorcerer's Apprentice, I" (1880; Recorded by Hendrich Jordan) 329
Edmund Veckenstedt, "The Sorcerer's Apprentice, II" (1880; Recorded by Alexander von Rabenau) 331
Johann Goltsch, "The Story about Krabat" (1885) 333
Georg Pilk, "The Wendish Faust Legend" (1900) 334
Jerzy Slizinski, "Krabat" (1959) 344

Biographies of Authors, Editors, Collectors, and Translators 349
Filmography 365
Bibliography 369
Selected and Chronological List of Sorcerer's Apprentice Tales 387
Index 397

Sunday, November 20, 2016

New Book: Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church (The Middle Ages Series) by Richard Firth Green



Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church (The Middle Ages Series) by Richard Firth Green was released a few months ago. I learned about it shortly after and have been stalking it ever since. Which is funny because it's not my top tier catnip but this topic and time period fascinate me.

Book description:

In Elf Queens and Holy Friars Richard Firth Green investigates an important aspect of medieval culture that has been largely ignored by modern literary scholarship: the omnipresent belief in fairyland.

Taking as his starting point the assumption that the major cultural gulf in the Middle Ages was less between the wealthy and the poor than between the learned and the lay, Green explores the church's systematic demonization of fairies and infernalization of fairyland. He argues that when medieval preachers inveighed against the demons that they portrayed as threatening their flocks, they were in reality often waging war against fairy beliefs. The recognition that medieval demonology, and indeed pastoral theology, were packed with coded references to popular lore opens up a whole new avenue for the investigation of medieval vernacular culture.

Elf Queens and Holy Friars offers a detailed account of the church's attempts to suppress or redirect belief in such things as fairy lovers, changelings, and alternative versions of the afterlife. That the church took these fairy beliefs so seriously suggests that they were ideologically loaded, and this fact makes a huge difference in the way we read medieval romance, the literary genre that treats them most explicitly. The war on fairy beliefs increased in intensity toward the end of the Middle Ages, becoming finally a significant factor in the witch-hunting of the Renaissance.

Table of Contents

Introduction
Chapter 1. Believing in Fairies
Chapter 2. Policing Vernacular Belief
Chapter 3. Incubi Fairies
Chapter 4. Christ the Changeling
Chapter 5. Living in Fairyland
Postscript

Notes
Bibliography
Index
Acknowledgments

You can read an excerpt on the publisher's site.

Friday, October 28, 2016

New Book: Ireland's Immortals: A History of the Gods of Irish Myth by Mark Williams



Ireland's Immortals: A History of the Gods of Irish Myth by Mark Williams is a new book released this week. If you are interested in Irish folklore, this is a must for you.

This is a hefty tome of nearly 600 pages. I received a review copy but haven't had the time to read it closely yet. However, I have read some passages and the first impression I have is, "Wow, I didn't know that about ____." Fill in the blank to whatever I was reading on the page.

The second impression is "This is surprisingly very readable for how scholarly and informational it is." Because, yes, I, too, struggle with twenty-five cent words in many academic texts. If I paused to consider a sentence while I was reading this, it wasn't to parse the meaning of the sentence but to contemplate that meaning. The tone is even conversational with first person perspective offered which may be off-putting to some but which I find refreshing since that is the way I approach much of what I write. Reading this book makes you think that Mark Williams would make a fascinating dinner companion.

I mean really, here is a paragraph from the first page of chapter 1:

The earliest written evidence for native gods comes from early Christian Ireland, not from the pagan period; this is a pivotal fact which must be emphasized. Christianity did not entirely consign the pagan gods to the scrapheap, but the consequences of its arrival were dramatic and affected Irish society on every level. Pagan cult and ritual were discontinued, and a process was set in motion that eventually saw a small number of former deities reincarnated as literary characters. Christianity—intrinsically a religion of the book—enabled the widespread writing of texts in the Roman alphabet. Some of these have been transmitted to the present, with the paradoxical upshot that we owe our ability to say anything at all about the ‘personalities’ of Ireland’s pre-Christian gods to the island’s conversion.

That's fascinating and highly readable stuff if this is the type of stuff you like to read. Which if you are here, you most likely do.

There is also an excellent index which is what I used to look up passages with names and concepts I am familiar with--Yeats is represented abundantly but I also found Lady Jane Wilde--some of who's Ancient Legends, Mystic Charms, and Superstitions of Ireland I have been reading recently, she was a folklorist of sorts and mother to Oscar Wilde--as well as other writers such as James Stephens and Walter Sharp.

So if this topic interests you at all, I'd consider this one to be a new important addition to your library. It's earned a place on my shelves.

Book description:

Ireland’s Immortals tells the story of one of the world’s great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation’s languages, the book describes how Ireland’s pagan divinities were transformed into literary characters in the medieval Christian era—and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams’s comprehensive history traces how these gods—known as the Túatha Dé Danann—have shifted shape across the centuries, from Iron Age cult to medieval saga to today’s young-adult fiction.

We meet the heroic Lug; the Morrígan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the mist-cloaked sea god Manannán mac Lir; and the ageless fairies who inspired J.R.R. Tolkien’s immortal elves. Medieval clerics speculated that the Irish divinities might be devils, angels, or enchanters. W. B. Yeats invoked them to reimagine the national condition, while his friend George Russell beheld them in visions and understood them to be local versions of Hindu deities. The book also tells how the Scots repackaged Ireland’s divine beings as the gods of the Gael on both sides of the sea—and how Irish mythology continues to influence popular culture far beyond Ireland.

An unmatched chronicle of the Irish gods, Ireland’s Immortals illuminates why these mythical beings have loomed so large in the world’s imagination for so long.

Mark Williams is the Simon and June Li Fellow in the Humanities and Tutor in English at Lincoln College, University of Oxford, where he teaches medieval Irish, Welsh, and English literature. He is the author of Fiery Shapes: Celestial Portents and Astrology in Ireland and Wales, 700–1700.

Reviews:

"Scholars and researchers will leap to add [Ireland’s Immortals] to their collections."--Publishers Weekly

Endorsements:

"In 1896, George Russell wrote to W. B. Yeats announcing that ‘the Gods have returned’ to Celtic realms; Mark Williams’s brilliant and powerful book makes good the claim. Learned, discursive, masterfully organized, and often very funny, it illuminates the cults, characters, personalities, and uses of Irish divinities from their emergence in saga, pseudohistory, and folklore through to their exploitation in the Celtic Revival and the literature of fantasy, and their analysis in modern scholarship. This is an important contribution to the history of religion, nationalism, and Gaelic culture; it is also so well written as to be unputdownable."--R. F. Foster, University of Oxford

"With its huge range, constant new insights, colorful material, and sparkling style, this is a truly remarkable book. It should delight a very big readership."--Ronald E. Hutton, University of Bristol

"This magnificent book is a tour de force and a great leap forward in the study of Irish mythology. Mark Williams tells the whole story of the Irish gods, tracing their transformation from ancient times through today. His discussions of medieval sagas, early modern scholarship, Celtic Revival mysticism, and contemporary fiction are equally assured, original, and substantial. Lively and engaging, Ireland's Immortals will appeal to general readers as well as students and scholars."--Ralph O'Connor, University of Aberdeen

"This is an extremely important book. It not only brings together known texts in new and exciting ways but also introduces important new interpretations. Mark Williams is one of the very few people with the expertise and good sense to be able to write a volume like this."--Paul Russell, University of Cambridge

TABLE OF CONTENTS:

List of Illustrations ix
Abbreviations xi
Preface xiii
Guide to Pronunciation xxi

PART ONE

1 Hidden Beginnings: From Cult to Conversion 3
2 Earthly Gods: Pagan Deities, Christian Meanings 30
3 Divine Culture: Exemplary Gods and the Mythological Cycle 72
4 New Mythologies: Pseudohistory and the Lore of Poets 128
5 Vulnerability and Grace: The Finn Cycle 194
6 Damaged Gods: The Late Middle Ages 248

PART TWO

7 The Imagination of the Country: Towards a National Pantheon 277
8 Danaan Mysteries: Occult Nationalism and the Divine Forms 310
9 Highland Divinities: The Celtic Revival in Scotland 361
10 Coherence and Canon: The Fairy Faith and the East 406
11 Gods of the Gap: A World Mythology 434
12 Artgods 489

Acknowledgements 503
Glossary of Technical Terms 507
Conspectus of Medieval Sources 511
Works Cited 517
Index 557

Tuesday, October 25, 2016

New Book: New Approaches to Teaching Folk and Fairy Tales edited by Christa Jones and Claudia Schwabe



New Approaches to Teaching Folk and Fairy Tales edited by Christa Jones and Claudia Schwabe was released in August.

First of all this is not a text book. It is a collection of articles about different methods of teaching folklore in the classroom. The contributors share their experiences in the classroom, sometimes including the syllabi for the classes they have designed.

The articles are wide ranging in their approaches, including but not strictly limited to political, linguistic, and gender studies. They are valuable because they offer perspectives from real world experiences from professors who have used these approaches. One of the themes I found most fascinating was the discussion about choice of translations and adaptations to share in the classroom, including Christine A. Jones' course that studies the translation of French tales.

In the end, the articles make you wish to be a student again--if you aren't now--with the ability to take all of these classes (since they are scattered at various universities around the globe) and participate in the classroom discussions, to see and feel how these materials spark inspiration and understanding of folklore and dare I say the world, too, for the students.

Book description:

New Approaches to Teaching Folk and Fairy Tales provides invaluable hands-on materials and pedagogical tools from an international group of scholars who share their experiences in teaching folk- and fairy-tale texts and films in a wide range of academic settings.

This interdisciplinary collection introduces scholarly perspectives on how to teach fairy tales in a variety of courses and academic disciplines, including anthropology, creative writing, children’s literature, cultural studies, queer studies, film studies, linguistics, second language acquisition, translation studies, and women and gender studies, and points the way to other intermedial and intertextual approaches. Challenging the fairy-tale canon as represented by the Brothers Grimm, Charles Perrault, Hans Christian Andersen, and Walt Disney, contributors reveal an astonishingly diverse fairy-tale landscape.

The book offers instructors a plethora of fresh ideas, teaching materials, and outside-the-box teaching strategies for classroom use as well as new and adaptable pedagogical models that invite students to engage with class materials in intellectually stimulating ways. A cutting-edge volume that acknowledges the continued interest in university courses on fairy tales, New Approaches to Teaching Folk and Fairy Tales enables instructors to introduce their students to a new, critical understanding of the fairy tale as well as to a host of new tales, traditions, and adaptations in a range of media.

Contributors: Anne E. Duggan, Cyrille François, Lisa Gabbert, Pauline Greenhill, Donald Haase, Christa C. Jones, Christine A. Jones, Jeana Jorgensen, Armando Maggi, Doris McGonagill, Jennifer Orme, Christina Phillips Mattson, Claudia Schwabe, Anissa Talahite-Moodley, Maria Tatar, Francisco Vaz da Silva, Juliette Wood

Table of Contents:

Foreword by Donald Haase

Introduction by Christa C. Jones and Claudia Schwabe

Fairy tales, myth, and fantasy by Cristina Phillips Mattson and Maria Tatar

Teaching fairy tales in folklore classes by Lisa Gabbert

At the bottom of a well: teaching the otherworld as a folktale environment by Juliette Wood

The fairy-tale forest as memory site: romantic imagination, cultural construction, and a hybrid approach to teaching the Grimms' fairy tales and the environment by Doris McGonagill

Grimms' fairy tales in a political context: teaching East German fairy-tale films by Claudia Schwabe

Teaching Charles Perrault's histoires, ou, contes du temps passé in the literary and historical context of the Sun King's reign by Christa C. Jones

Lessons from Shahrazad: teaching about cultural dialogism by Anissa Talahite-Moodley

The significance of translation by Christine A. Jones

Giambattista Basile's The Tale of Tales in the hands of the Brothers Grimm by Armando Maggi

Teaching Hans Christian Andersen's tales: a linguistic approach by Cyrille François

Teaching symbolism in "Little Red Riding Hood" by Francisco Gentil Vaz da Silva

Binary outlaws: queering the classical tale in François Ozon's Criminal lovers and Catherine Breillat's The sleeping beauty by Anne E. Duggan

Teaching "Gender in fairy tale films and cinematic folklore" online negotiating between needs and wants by Pauline Greenhill and Jennifer Orme

Intertextuality, creativity, and sexuality: group exercises in the fairy-tale/gender studies classroom by Jeana Jorgensen

Monday, October 3, 2016

New Book: It's the Disney Version!: Popular Cinema and Literary Classics



(US and UK Links)

It's the Disney Version!: Popular Cinema and Literary Classics by Douglas Brode (Editor) and Shea T. Brode (Editor) was released over the summer and I'm playing catch up this week.

I haven't read this one yet, but the brief skim of the intro leads me to believe it is more Disney apologist in tone than some might like, but I appreciated the arguments that were more pro-Disney--namely that Disney didn't create its fairy tale films out of a vacuum, but drew from other contemporary adaptations from stage and elsewhere, too. Examples and footnotes are provided, too, so this one intrigues me for the fairy tale adaptation discussions especially.

Book description:

In 1937, the first full-length animated film produced by Walt Disney was released. Based on a fairy tale written by the Brothers Grimm, Snow White and the Seven Dwarfs was an instant success and set the stage for more film adaptations over the next several decades. From animated features like and Bambi to live action films such as Mary Poppins, Disney repeatedly turned to literary sources for inspiration—a tradition the Disney studios continues well into the twenty-first century.

In It’s the Disney Version!: Popular Cinema and Literary Classics, Douglas Brode and Shea T. Brode have collected essays that consider the relationship between a Disney film and the source material from which it was drawn. Analytic yet accessible, these essays provide a wide-ranging study of the term “The Disney Version” and what it conveys to viewers. Among the works discussed in this volume are Alice in Wonderland, Mary Poppins, Pinocchio,Sleeping Beauty, Tarzan, and Winnie the Pooh.

In these intriguing essays, contributors to this volume offer close textual analyses of both the original work and of the Disney counterpart. Featuring articles that consider both positive and negative elements that can be found in the studio’s output, It’s the Disney Version!: Popular Cinema and Literary Classics will be of interest to scholars and students of film, as well as the diehard Disney fan.