From Fairy Tale to Film Screenplay: Working with Plot Genotypes by Terence Patrick Murphy was released in late 2015. I haven't seen a copy of it yet, but the table of contents offers some great fairy tales and some popular films.
In Screenplay: The Foundations of Screenwriting (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay. For Field, the budding screenwriter needs a clear screenplay structure, one which includes two well-crafted plot points, the first at the end of Act I, the second at the end of Act II. By focusing on the importance of the four essentials of beginning and end, and the two pivotal plot points, Field did the Hollywood film industry an enormous service. Nonetheless, although he handles the issue of overall structure expertly, Field falls down when offering the screenwriter advice on how to successfully build each of the three individual Acts. This is because Field did not recognize the importance of another layer of analysis that underpins the existence of plot points. This is the level of the plot genotype.
Plot genotypes are the compositional schemas of particular stories. They are sets of instructions, written in the language of the plot function, for executing particular plots. This book will offer you a richer theory of plot structure than the one Field outlines. It will do this not by contradicting anything Field has to say about the Hollywood paradigm, but by complementing it with a deeper level of analysis. It outline the plot genotypes for The Frog Prince, The Robber Bridegroom, Puss-in-Boots, and Little Red Riding Hood, and will show how these genotypes provide the underpinnings for the film screenplays of Pretty Woman, Wrong Turn, The Mask, and Psycho. By means of a detailed study of these four Hollywood screenplays, you will be able to offer a much richer description of what is going on at any particular point in a screenplay. In this way, you will become much sharper at understanding how screenplays work. And you will become much better at learning how to write coherent screenplays yourself.
Table of Contents:
1 From the Hollywood Paradigm to the Proppian Plot Genotype 1
2 Vladimir Propp’s Functional Analysis of the Fairy Tale 9
3 A Functional Analysis of Charles Perrault’s Cinderella 16
4 Formulating the Concept of the Plot Genotype 27
5 The Robber Bridegroom Genotype 31
6 The Robber Bridegroom Genotype in Wrong Turn (2003) 46
7 The Frog Prince Genotype 56
8 The Frog Prince Genotype in Pretty Woman (1990) 66
9 The Puss-in-Boots Genotype 102
10 The Puss-in-Boots Genotype in The Mask (1994) 111
11 The Little Red Riding Hood Genotype 144
12 The Little Red Riding Hood Genotype in Psycho (1960) 151
13 Conclusion 172
Appendix: Plot Genotype Theory and the Hero’s Journey 177