Showing posts with label tales. Show all posts
Showing posts with label tales. Show all posts

Saturday, January 21, 2017

The Princess and the Cat: A Tale from India



I have mentioned that there are few tales in which cats are true villains to be found in Puss in Boots and Other Cat Tales From Around the World. The following tale is a rare exception.

While that in itself makes the tale of particular interest, the fascination grows with the story's usage of elements that usually appear in ATU 510B: Peau d’Asne (Donkeyskin), one of the tales in the vast Cinderella Cycle of folktales. The tale deals with abuse and fear with elements that become quite modern--a stalker, the heroine escaping her stalker in disguise with name changing, for example--but has a happy ending.

I decided to share this story in full since it is so very interesting. It also represents the wide range of tales to be found in Puss in Boots and Other Cat Tales From Around the World.


The Princess and the Cat

India

THERE was once a King who had an only daughter, whom he loved exceedingly. One day she went into the bazar and saw a man selling a kitten, which she bought and took home. She was very fond of it, and took such care of it that it became an enormous cat.

When the time came for the Princess to be married the cat was very angry and jealous. He asked her if it was true that she was going to be married. She said nothing, and hung down her head for shame. When the procession arrived the cat again asked her if she was going away. Again she made no answer. When the bridegroom’s people came the cat jumped upon them and began to scratch and tear them until they were obliged to run away to save their lives.

When the King heard this he was astonished; but what could they do because the cat threatened to kill them all. The Princess was so afraid of him that she was obliged to be kind to him.

One day the cat said to her: “I am going out hunting.”

While he was away the Princess took the chance of escaping and went off to the house of a Chamar. She got the Chamar to make her a covering of skin so that the cat should not know her, and when her skin-coat was ready she put it on and started on her travels. On her way she met the cat, and when she saw him coming she sprinkled some barley on the ground and began to pick it up.

The cat asked her who she was, and she answered: “I am Chamni (the skin-woman), and I live by picking up the grains that fall on the ground.”

The cat went back to the palace and searched everywhere for her, but he could not find her.

At last the Princess reached the land of the Prince, her husband, and came begging at the palace door. Her mother-in-law saw her, and taking pity on her, gave her service in the kitchen. But as her skin-coat gave a foul smell no one would let her sit near them, and she had to remain apart.

One day the man who grazed the elephants fell sick and there was no one to tend them; so Chamni was sent out with them. When she was alone in the jungle she used to take off her coat of skin, and she made a swing in which she used to lie and sing while the Fairies from Indrasan came and sang, and sported with her. This so pleased the elephants that they stood round her and listened to the music.

As they would not graze they became so lean that the Prince could not understand the reason, and one day the Prince went himself to inspect them, and when he saw Chamni in her real form he was fascinated with her beauty. When she came back he sent for her, and when he had made her take off her coat of skin and heard her story, he accepted her as his wife. She told him about the cat, but he said: “Do not fear. When he comes I will kill him.”

Meanwhile the cat had traced out the Princess, and taking the form of bangle-seller (Churiharin) arrived at the palace. She stood outside crying: “Bangles to sell. Who wants bangles?”

The Princess called her in and was having a set of bangles fitted on, when the bangle-seller suddenly sprang upon the Prince, and would have torn him to pieces had not the servants come to his aid. The cat escaped, but some days later as the Prince and Princess were in their room, he made a hole in the roof and was just about to spring upon them when the Princess, who was awake, saw him and called to her husband. He seized his sword and cut off the cat’s head; after which they lived in the utmost happiness.

NOTES

A folktale told by Mazhar Husen, of Mitzapur.

Source: Husen, Mazhar. “The Princess and the Cat.” North Indian Notes and Queries. Oct. 1893, p. 121-122.

Wednesday, April 1, 2015

Tuhka-Triinu: A Cinderella Tale from Estonia




The following tale is one of the hundreds that appear in Cinderella Tales From Around the World. The story of Tuhka-Triinu (Ash-Katie), as given by Friedrich Reinhold Kreutzwald—a reknowned Estonian folklorist—in his Eestirahwa eunemuistefed jutud: Rahwa suust korjanud ja uleskirpitanud (1866). And, no, I don't know how to pronounce her name!

Tuhka-Triinu
Estonia

ONCE upon a time there lived a rich man with his wife and an only daughter. When the mother dies, she directs her daughter to plant a tree on her grave, where the birds can find food and shelter. The father marries a widow with two daughters, who ill-treat the motherless girl, declaring that she shall be their slave-girl. A magpie cries from the summit of the tree, “Poor child, poor child! why do you not go and complain to the rowan-tree? Ask for counsel, when your hard life will be lightened.”

She goes to the grave at night, and a voice asks her to whom she should appeal, and in whom she should trust, and she answers, “God.” Then the voice tells her to call the cock and hen to help her, when she has work to do which she cannot perform by herself.

When the king’s ball is announced, Cinderella has to dress her sisters, after which the eldest throws lentils into the ashes, telling her to pick them up; but this is done by the cock and hen. She is left at home weeping, and a voice tells her to go and shake the rowan-tree. When she had done so, a light appeared in the darkness, and she saw a woman sitting on the summit of the tree. She was an ell high, and clothed in golden raiment, and she held a small basket and a gold wand in her hands. She took a hen’s egg from her basket, which she turned into a coach; six mice formed the horses, a black beetle formed the coachman, and two speckled butterflies the footmen.

The little witch-maiden then dressed Tuhka-Triinu as magnificently as a Saxon lady. She then sent her to the ball, warning her to leave before the cock crows for the third time, as everything will then resume its original shape. On the second night Tuhka-Triinu took to flight, and lost one of her little gold shoes, which the prince found next morning. When it came to be tried on, Tuhka-Triinu’s sisters, who thought they had small feet, tugged and squeezed without success. But the shoe fitted Tuhka-Triinu. Her guardian again robed her magnificently, and she married the prince.

Source: Kirby, William Forsell, editor. The Hero of Esthonia and Other Studies in the Romantic Literature of that Country, Volume 2. London: John C. Nimmo, 1895.

Monday, March 23, 2015

The Three Sisters: A Greek Cinderella Tale



The following tale is one of the hundreds that appear in Cinderella Tales From Around the World. It is a short and much less sweet Cinderella tale from Greece. Greek Cinderellas often have mothers murdered by Cinderella's sisters. I've been seeing this mentioned in articles around the web and thought I would share an example of it here. The tale is also like a majority of Cinderella tales where she meets the prince at church instead of at a ball.

The Three Sisters
Greece


THERE were three girls sitting spinning with their mother, and they agreed that whosesoever thread broke first they should kill and eat. Their mother's thread broke, but they said, “Let us spare her for having carried us in her womb,” and went on spinning.

When the mother's thread broke a second time, they said, “Let us spare her for having suckled us from her breast.” But when the mother's thread broke a third time, she had to be killed. The two eldest killed her, cut her up, cooked her, and eat well of the flesh, but the youngest would not join them, and when they had finished she collected the bones and put them in a large earthenware jar. Every day for forty days she incensed them.

After forty days she went to the jar and found within it three dresses (one, the plain with its flowers; another, the sea with its fish; and the third, the heaven with its stars), and a pair of beautiful slippers and a splendid horse.

On Sunday she put on the first dress and went to church. There the king's son saw her and fell in love with her, but she ran away before he could catch her and speak to her.

So it was the next Sunday, when wearing the second dress she came to church again.

On the third Sunday she put on the third dress. As she was returning from church she stopped to let her horse drink, and one slipper fell into the drinking-trough. The prince, who was following her, stopped his horse too, and it was frightened at the slipper, and would not drink. So he saw the slipper and knew to whom it belonged, and went round to all the houses in the town trying to fit it.

The eldest sister had put the youngest under a basket, and on this the prince sat down to try the slipper on. It would not fit them, and he asked them if they had no other sister. They said, “No,” but the youngest took a pin from her hair and pricked him with it, and so he lifted up the basket to see what was under it.

When it was lifted, the eldest sister said, “She is a poor outcast, our servant, whom we put there that you might not see her.” But the slipper fitted her, and the prince recognised her, and they were married.

Source: Paton, W. R. “Folktales from the Ægean (Continued).” Folklore. Vol. 12, No. 2 (Jun. 1901). pp. 197-208. (From Cassabi.)

Tuesday, March 17, 2015

Ashey Pelt, An Irish Cinderella for St. Patrick's Day



The following tale is one of the hundreds that appear in Cinderella Tales From Around the World.

Ashey Pelt
Ireland


WELL, my grandmother she told me that in them auld days a ewe might be your mother. It is a very lucky thing to have a black ewe. A man married again, and his daughter, Ashey Pelt, was unhappy. She cried alone, and the black ewe came to her from under the greystone in the field and said, “Don’t cry, go and find a rod behind the stone and strike it three times, and whatever you want will come.”

So she did as she was bid. She wanted to go to a party. Dress and horses and all came to her, but she was bound to be back before twelve o’clock or all the enchantment would go, all she had would vanish. The sisters they did na’ like her; she was so pretty, and the stepmother she kept her in wretchedness just.

She was most lovely. At the party the Prince fell in love with her, and she forgot to get back in time. In her speed a-running she dropped her silk slipper, and he sent and he went over all the country to find the lady it wad fit. When he came to Ashey Pelt’s door he did not see her. The sisters was busy a-nipping and a-clipping at their feet to get on the silk slipper, for the king’s son he had given out that he loved that lady sae weel he wad be married on whaever could fit on that slipper.

The sisters they drove Ashey Pelt out bye to be out of the road, and they bid her mind the cows. They pared down their feet till one o’ them could just squeeze it on. But she was in the quare agony I’m telling you.

So off they rode away; but when he was passing the field the voice of the auld ewe cried on him to stop, and she says, says she—

“Nippet foot, and clippet foot
Behind the king’s son rides,
But bonny foot, and pretty foot
Is with the cathering hides.”

So he rode back and found her among the cows, and he married her, and if they lived happy, so may you and me.

Source: Damant, M. “Folktales. Ashey Pelt and the Three Golden Balls.” Folklore. Vol. 6, No. 3 (Sep. 1895). pp. 305-308. (The tale was told me by a woman now living, a native of Ulster, aged about sixty.—M. Damant)

Wednesday, March 4, 2015

The Tale of the Dragon: An Unexpected Sleep Test Story


I have been VERY SLOWLY updating some of the pages on SurLaLune. Today I added a new tale to the Tales Similar to Princess and the Pea page. While the tale is not an authentic ATU 704 Princess on the Pea story, it bears enough similarities including the presence of a pea and a sleep test. The pea disturbs the sleep, too, but not for a reason you have probably ever read before. Unless you have read this particular tale. Since a dragon and a riddle challenge is also found within, there's much to enjoy in this short tale. The story will also permanently reside at The Tale of the Dragon.


The Tale of the Dragon
A Grecian Tale

ONCE on a time there was a man who, as he was walking along, found a pea, and said to himself, "I will plant this pea and when the pea-stalk grows up it will bear many peas, and so I shall be able one day to lade ships with them, perhaps even the twelve ships of the King. With that thought in his head he got up and went to find the King and have an audience with him. So he presented himself before him and asked him for his twelve ships, that he might lade them—with his one pea! which he had in his shoe.

When the King heard the words of this young hero, he said to him, "If it please you I have a daughter whom I think worthy of you."

But I forgot to tell you that this man, as he was going to see the King, met with a dragon, who said to him, "Whither away?"

"To seek my fortune," he replied.

"Your fortune is made if you prove able to answer me ten questions," answered the dragon, "but otherwise you are lost. And if on the other hand you do answer the ten questions, you will be presented with that palace that you see there, as it is, with all its belongings, gardens and estates, and I shall burst asunder as soon as you answer me all my questions."

Let us leave the dragon, then, who had made this bargain with Penteclemas (for so the young man was called), and let us come to speak of the King who desires him for a son-in-law.

Now poor Penteclemas thought if he were to say "No!" the King would not believe his word and would not let him have the ships. So he thought he had better say "Yes!" and see how things turned out. When he had given his consent, the King, in order to assure himself whether he was rich or poor, gave orders to a servant to put ragged sheets and a torn coverlid on his bed, for Penteclemas to pass the night on. And when night fell he said to him, "Go to your chamber, for it is time to sleep." The King told the servant to watch all night long to see whether he went to sleep or not.

"For," said he, "if he sleep, it is a sign he is poor; but if he do not sleep it shows he has been accustomed to new bed-clothes and cannot sleep on rags." In the morning the servant tells him that Penteclemas was restless all the night and never closed his eyes. Then the King orders him on the following night to lay the bed properly and with due regard to comfort. And not to make a long tale of it, in the good bed our young hero sleeps as sound as sound could be, because he had no fear of losing his pea in this bed. So the King was satisfied that he was a youth of good birth, and married him to his daughter.

But the reason why he had not slept the first night was not because of the ragged bed-clothes, but only because he was afraid of losing the pea and not being able to find it.

After a time he began to think of what he should say to the dragon, since the time was drawing near—forty days' grace having been fixed.

When the wedding had taken place about three days, our young hero wished to leave home, and the Princess desired to accompany him. Accordingly a considerable retinue followed in her train, and her husband, Penteclemas, went to the dragon's castle in order to learn his fate, and see what would befall him. He went on in front, and a short distance behind followed his wife with her train of attendants. Penteclemas said to them, "If the Princess asks whose are these estates, mind you tell her they belong to Penteclemas. This can do you no harm." And as luck would have it the Princess actually did ask once or twice about the estates, and when she heard they belonged to her husband she was very much pleased. But the unfortunate Penteclemas kept thinking over the words of the dragon, and what sort of questions he would ask him; for the time allowed was drawing to an end.

When they arrived at the dragon's castle, he and his wife went up the steps, and the rest of the company took their leave. Penteclemas was very thoughtful. His wife said to him, "What ails you?"

"Nothing," said he, for what should he answer her, and how was he to tell her what was going to happen, when the time for the dragon's approach drew near? At last an old woman from the neighbourhood saw the wife of Penteclemas sorrowful.

"What ails you?" she asked.

She answered, "Seeing my husband sad and thoughtful, I am sad as well."

Then the old woman goes to Penteclemas and puts the same question to him. What had he to hope from the old woman? So he hid his thoughts from her, till at last she got impatient, and then he told her. The old woman consoled him, saying, that when the dragon came she would answer the questions he put, and that he was never to mind the dragon at all, but only to comfort the Princess who was so sorrowful.

When the dragon came he called out, "Are you there?"

"Glad to see you!" shouts the old woman, pretending to be Penteclemas. Then they close the doors and the dragon and the old woman are shut up together in the castle.

The dragon cries, "What does one stand for?"

"One stands for God!" cries the old woman

Dragon: "What does two stand for?"

Old Woman: "Even-handed justice!"

Dragon: "What does three stand for?"

Old Woman: "The three legs of the trivet that they put the pot on."

Dragon: "What does four stand for?"

Old Woman: "The four teats of the cow."

Dragon: "What does five stand for?"

Old Woman: "The five fingers of our hands."

Dragon: "What does six stand for?"

Old Woman: "The six stars in the constellation Pleiades."

Dragon: "What does seven stand for?"

Old Woman: "A dance of seven damsels."

Dragon: "What does eight stand for?"

Old Woman: "The eight tentacles of the eight-footed octopus."

Dragon: "What does nine stand for?"

Old Woman: "Nine months your mother bare you."

Dragon: "What does ten stand for?"

Old Woman: "Why that's your own number. Burst, dragon, burst!"

So the dragon burst, and Penteclemas inherited the castle and all its belongings, and lived happily with the Princess, and they loaded the old woman with money.

Source:

Geldart, Edmund Martin. Folk-Lore of Modern Greece: The Tales of the People. London: W. Swan Sonnenschein and Company, 1884.

Wednesday, February 25, 2015

New Book: The Turnip Princess and Other Newly Discovered Fairy Tales by Franz Xaver von Schonwerth, translated by Maria Tatar



The Turnip Princess and Other Newly Discovered Fairy Tales (Penguin Classics) by Franz Xaver von Schonwerth (Author), Erika Eichenseer (Editor), Engelbert Suss (Illustrator), Maria Tatar (Translator) is released this week. I received a review copy in the mail last week but I have been felled by a cold and haven't had a chance to peruse it without the influence of fever and meds. Such as it is. No one wishes more than me that I was healthy! But enough about me.

This is not the first English translation of Franz Xaver von Schönwerth's fairy tales, Original Bavarian Folktales: A Schönwerth Selection: Original bayerische Volksmärchen – Ausgewählte Schönwerth-Geschichten (Dover Dual Language German) translated by M. Charlotte Wolf Ph.D. was released last year. That said, even if you already own that edition, this one is of value (and vice versa) because the art and science of translation is such a complicated one. Even the tale titles offered between these two books are different, making cross referencing them a challenge. Wolf's edition provides the German text for cross referencing, this one does not.

That said, this new book is translated by Maria Tatar, one of the current top scholars in the field of fairy tales and folklore. She brings her Germanic expertise and fairy tale knowledge to this translation. As lovely as the tales themselves are, of most value to me in this edition are the 28 pages of endnotes about the tales by Tatar. Utterly fantastic! There is another bonus of "Notes on Sources and Tale Types" by Nicola Schaffler. So you can look for common tale types here, such as easily discovering that "Ashfeathers" is ATU 510A, a Cinderella tale. And if you have a little experience at this, you will discover that "The Howling of the Wind" is ATU 425E, a rare Beauty and the Beast/East of the Moon and West of the Sun variant. Overall, most of the tales represented are lesser known tale types, meaning not the most common top 20 (i.e. ones I would edit e a SurLaLune book compilation for). But you can easily learn that with the extra materials provided.

And did I mention there is a fine introduction by Tatar, too?

So, yes, this is a great book to add to your personal folklore library, offered at an affordable price. Which is what happens when you have a name like Tatar's on the book, too. I know over and over so many of you are confounded by the academic books that are priced high. Right now, this is a bestseller and is 38% off the list price of $17.00 on Amazon and well-priced at other retailers, too. For less than the price of a lunch out--and haven't you missed some of those with all this year's snow?--you can add a great book to your library. I'm saying this because I get comments from you readers about how cost prohibitive many of the nonfiction titles you want are. Here's one that isn't!

Finally, here's an article from Salon that explains the book's background better than I can right now: Down and dirty fairy tales: How this rediscovered stash of darker-than-Grimm stories destroys our Prince Charming myths: The translator of a newly discovered trove of 150-year-old tales on the gender-bending surprises found there by LAURA MILLER.

Book description:

A rare discovery in the world of fairy tales - now for the first time in English. With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive. Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre. 'Schönwerth's tales have a compositional fierceness and energy rarely seen in stories gathered by the Brothers Grimm or Charles Perrault' -The New Yorker 'Schönwerth's legacy counts as the most significant collection in the German-speaking world in the nineteenth century' - Daniel Drascek, University of Regensburg Franz Xanver von Schönwerth (1810-1886) was born in Bavaria and had a successful career in law and the Bavarian royal court before devoting himself to researching the customs of his homeland and preserving its fairy tales and folklore. Maria Tatar chairs the program in folklore and mythology at Harvard, and has edited and translated many collections of fairy tales. Eeika Eichenseer is a historian and preservationist working for the Bavarian government and the director of the Franz Xaver von Schönwerth Society.

Wednesday, November 3, 2010

Two Loving Sisters in a Fairy Tale



Over the years I have read many comments about Snow White and Rose Red and how many women adore that overall gentle fairy tale. I've also received many requests for other fairy tales in which sisters are friends and work together without any true rivalry. It's easy enough to find girl/boy sibling pairs (Hansel and Gretel, Brother and Sister for example) but loving sister pairs are pretty rare. I recently discovered one I had not read before and decided to share it here.  It's a tale from northern India and has shades of many European tales in it.  I won't list them but let you discover them for yourself...

Lal Badshah, The Red King; or, The Two Little Princesses

THERE was once a king, not Lal Badshah, but another, whose wife died, leaving him with two beautiful little daughters.

After a time, as he had no son to be his heir, his vizier said to him: “O king, it is right that you should marry again, so that your people may not be left without a prince to rule over them hereafter.” With this advice the king complied, and he brought to his palace a second wife. But she was of a morose and cruel disposition. She hated the two little princesses, and starved them, and, in short, she acted the stepmother to the life.

These little girls, in their unhappiness, used to go out hand-in-hand, and sit and pray by their dead mother’s grave; and to their simple minds it did not seem at all strange that, when they had said their prayers, they should find by the grave a dish of food, which they always partook of. Day by day at their mother’s grave they found a meal, and they said that God had sent it to them.

But the stepmother had a cat, and this cat took it into her head to follow the princesses whenever they went to the grave, and the princesses took notice of her and fed her with scraps.

One day the queen was eyeing the children, and thinking to herself: “I give them only bran bread, and very little of that; how is it they are so fat?” Then the cat, who divined her thoughts, said: “The princesses visit their mother’s grave every day, and their mother feeds them. That is the reason they look so plump.”

When the queen heard this, she turned so sick with spite and vexation that in a day or two she had to take to her bed. But she pretended to be worse than she was, and at last she persuaded the king that she was at the point of death.

The king was greatly concerned, and said to her: “Can nothing be done for you?” This was just what the wicked woman wanted; so she answered: “I shall never recover until you have dug up the bones of your former wife and scattered them over the earth.”

The king was very sorry, but to save her life he consented to do it, and his first wife’s bones were taken up and scattered, and the stepmother then became quite well again all at once.

The two little girls now conferred together as to what they should do next. “What now?” asked the little one of the elder. Her sister answered: “We must trust in God. What is to be is to be, and our destiny must be fulfilled.”

Now, though their mother’s bones had been taken away, these two children continued their visits to the grave as before. Soon they observed a beautiful tree growing out of it, which bore delicious fruit; and, as they constantly ate of it, they were never hungry. One day, however, the cat followed them again, and when they saw her coming, the elder said: “Hide your fruit!”

“Nay,” said the younger; “let me give her one plum.”

“If you do,” said the other, “she will know, and will tell the queen.”

So they hid their fruit, but one plum fell to the ground by accident; and when the cat saw it, she pounced upon it, and, putting it in her ear, took it away to show it to the queen.

Then this wretched queen fell sick again, and, going through the same pretence as before, she said to the foolish king: “I shall never be well until you cut down the tree which grows out of your first wife’s grave and throw it into the fire.”

The king therefore gave his orders, and the tree was removed root and branch, and they made a fire and burnt it up.

The queen, however, was not satisfied even then. Her hatred of the princesses increased, and she could no longer bear the sight of them: so, with first one reason and then another, she persuaded her husband to take them far away into the desert or into the forest, and to abandon them to their fate.

Early in the morning the king set out with his two little girls, and when he came to a lonely spot, he said to them: “Children, gather the pretty flowers and play and amuse yourselves, while I go down to that brook and wash my turban.” Even kings were not above doing for themselves in those days, but this time the king only spoke to deceive.

Going to the brook, he set up an empty jar on the top of a long stick, and put a cloth over it, and the blowing of the wind made the side of the jar knock and knock against the stick, so that the children, when at intervals they heard the sound of the jar, believed it was their father who was washing his turban on the stones, after the manner of the country. At last, however, the day wore away, and it began to get late. Then they sought the brook to rejoin their father, but he, alas, was nowhere to be seen, and they called and called his name in vain.

The little girls were so distressed to find themselves forsaken and alone in the middle of the wilderness that they sat down and cried for a good hour. “Oh, what now shall we do?” cried the younger one. Looking up, they saw a lofty rock towering over the trees, and they climbed to the top of it, and gazed all round. Then they saw some smoke rising up far in the distance, and, descending, they set out in the twilight to seek for it.

Before very long they arrived in front of a gloomy castle, where they found an old woman of great stature sitting before the door and blinking at the stars. She was an ogress, but she had the heart of a human being; and when she saw the children, she, being a woman, felt pity for them, and said: “Poor things! my son is a man-eater, and when he comes home he will eat you both up!”

“Oh, hide us somewhere!” cried they.



Then the ogress took them up and turned them both into flies, and, when she had stuck pins into them, she fastened them to the wall.

Hardly had she done so, when, with a great roar, the ogre returned from the jungle. “Oh, oh,” cried he:

“I smell man’s flesh,

I smell man’s blood!”


“My son,” said his mother, “there is no man here. There is no one but you and me only.”

Then he sat down to his hog’s flesh and his wine, and fell fast asleep.

In the morning early, after the ogre had gone out as usual, the old ogress pulled out the pins, and turned the children into their proper shapes. “Get away,” said she, “as fast as you can; you will be getting me into trouble, too.”

Right glad were the children to escape from that dreadful place, and they hastened away as fast as they could run. At last they came, towards evening, to a most pleasant spot, where there was an immense tree full of shade. In this tree they both passed the night, feeling thankful that they were safe from wild beasts and ogres.

The next day the elder sister remained in the tree sewing with silk, but the younger got down and went into the forest and collected some deer, which willingly followed her everywhere. So the two sisters lived on deer’s milk and berries, and, as each had her own occupation, they passed a pleasant time.

One day the elder gave the younger sister a flower, and said to her: “Sister, you go out every day, and while you are away something might happen. When this flower fades you will know that I am in trouble, and when I drop my needle I shall know that you are in trouble.”

Some time after this it happened that a king, named Lal Badshah, with all his retinue, came out hunting in that very forest, but after a long day’s chase he succeeded in shooting only a single partridge. As he was hungry, he said to his minister, “Vizier, go—see, there is smoke!—cook this partridge for me, and bring it back.”

So the vizier took the partridge and began to cook it over the fire, to which he was easily guided by the smoke. But it was the fire of the two princesses, the younger of whom was still in the forest. As the vizier was cooking the partridge he happened to look up, and he saw the elder sister in the tree. The sight of her so astonished him that, instead of attending to his duty, he kept staring at her, wondering who and what she could be, and so the partridge got burnt.

When the vizier perceived that the bird was spoilt, he began to mutter in great distress, being quite in despair, fearing the king’s anger. Then the princess said to him: “Why are you crying?”

“Because,” answered he, “I have burnt the king’s partridge.”

“If you will make a solemn promise of secrecy,” said she, “I will help you.”

The vizier faithfully promised, and the princess, descending, made up a delicious dish of partridge and deer’s milk, and sent it to the king.

The king was quite delighted, and he said to his minister: “Vizier, who cooked this partridge?”

“I cooked it,” answered he.

“Who cooked this partridge?” repeated the king.

“I cooked it,” repeated the vizier.

“Who cooked this partridge?” once more cried the king.

“I cooked it,” once more replied the vizier.

“Bury him alive!” screamed the king.

Some of the guard came forward, and, digging a great hole, they thrust in the unlucky vizier, and began to throw the earth over him. When he was buried as high as the neck, the king asked him once more: “Who cooked this partridge?” and still the vizier answered: “I cooked it.”

“This is a very obstinate fellow,” said the king. “In with the earth!”

When he was buried to the mouth, the king for the last time asked him: “Who cooked this partridge?”

“Take me out, take me out,” cried the vizier,” and I will confess.”

So he was released from his grave, and then he told the king the whole story.

Lal Badshah was astonished beyond measure when he heard that a beautiful young princess was living in a tree. Nor was it long before he visited her, when he was so struck with her great beauty and refined manners that he married her there and then, and carried her off on his horse.

The poor girl would have been better pleased if she had been allowed to remain in the tree, and, as she thought of her absent sister, she became very sorrowful. Fortunately, she had a bag of mustard-seed, which she took with her, and as she rode along she dropped the seed on the ground to mark the way.

The younger sister was some distance off, when she suddenly observed that her flower began to fade. So she hastened back as fast as she could; but she was too late: her sister had gone. “Alas!” cried she, “what new misfortune is this? Where can my sister be?” She then noticed the mustard-seed, and perceived that it was a track leading into the forest. Instantly she decided to follow it, and, with her deer gambolling about her, she at once set out.

The track led her to a fine city, where she heard that her sister was now the most favoured queen in the king’s palace. Resolving to remain in that place, in the hope that she might some day be able to communicate with her, the younger sister made herself a little wicker cabin on an ancient mound, past which flowed a brook, just outside of the city gates. Here she dwelt, by day taking out her deer to graze, and by night sleeping with them in the cabin.

The elder sister, however, though she was so beloved by the king, was hated by all her rivals. They were jealous of her power and of her superior beauty. And when, in the course of time, the poor queen had a baby, they stole it and threw it out of the city, close to the old mound, and instead of it they placed by her bed a basket of charcoal. Having done this, they went to the king, and said: “This new queen of yours has been brought to bed. But, instead of a baby, she has given birth to a basket of charcoal.” Naturally, the king was very angry, and he ordered his young wife to be cast into a dungeon.

It so happened that the poor little outcast infant was rescued by its aunt, the younger sister, and as the story of the queen’s disgrace was soon bruited abroad, she easily recognised the child as the king’s. So she took to it, showering on it the greatest affection, and nursing it with deer’s milk.

Some time elapsed, and the child had grown into a handsome little lad of four or five years, when the aunt observed that the king frequently rode out past the mound, and that he sometimes stopped to water his horse at the brook. So she made for the little prince a wooden horse as a plaything, and she told him to look out for the king. “Whenever,” said she, “the king stops to water his horse, do you water your horse, too, and say: ‘Drink, O horse!’”

The child was quite charmed with his new toy, and already imagined himself a gallant knight charging his enemies. When the king came to the brook, as usual he stopped to give his horse some water, and the prince, seeing him, pranced down to the brook, too, and cried: “Drink, O horse!”

“Silly boy,” said the king to him, “can a wooden horse drink?”

In the evening the child reported all this to his aunt—how the king had come, and what he had said. “Tomorrow,” said she, “you must do exactly the same thing, and to the king’s question you are to answer, ‘But, O king, did a woman ever give birth to a basket of charcoal?’”

The next day Lal Badshah was again watering his horse at the brook, and by his side the little prince was watering his, saying: “Drink, O horse!”

“Foolish boy,” said the king, “how can a wooden horse drink water?”

“And, O king,” answered the child, “how can a woman bring forth a basket of charcoal?”

This answer quite startled the king. “Now, what can be the meaning of this?” he said; and, noticing that the little boy entered the wicker cabin, he approached it, and, dismounting, went behind it to listen. He then heard the aunt saying: “Did you repeat to the king what I told you?” And the boy answered, “Yes,” and related all that had happened. Then said the aunt: “Lal Badshah can by no means be a wise king, or else from your answer he would have, guessed the truth.”

On hearing these words, the king approached the door, and the aunt at once rose up to pay him respect. “This boy of yours,” said he, “has just given me a most mysterious answer. What does it mean?”

So the aunt told him the whole history of her life and of her sister’s life, and revealed to him the secret of the boy’s birth. Never was the king so pleased in the whole course of his life. He acknowledged his son as heir to his empire, he restored his injured queen to her position and rank, and he amply provided for her younger sister. And so, after many misfortunes, the two sisters, who loved each other so truly, were united once more, and lived happily ever after.

Source:

Swynnerton, Charles. Indian Nights’ Entertainment: or, Folk-tales from the Upper Indus. London: Elliot Stock, 1892.


 
The illustrations--these are just a few--were uncredited except for being "by native hands."