Thursday, November 4, 2010

2011 Calendar Time

It's that time of year again--when I start shopping for my 2011 wall calendar.  It used to feel like a trivial purchase--and it still is--but it has become more important to me over the years since I work at my desk for countless hours each day.  My calendar has become one of the most looked at pieces of artwork in my home and I love that it changes every month to a new image.  There are a few fairy tale choices this year but I am only tempted by the Arthur Rackham option.  Here's a list with some that are definitely not in my taste areas, but I am a completist and wanted to show them all...


Rackham's Fairy Tales 2011 Wall Calendar


Fairy Tales, Enchanted World 2011 Wall


J. Scott Campbell's Fairy Tale Fantasies 2011 Calendar


2011 Shrek Forever After Wall Calendar


Grimm Fairy Tales 2011 Wall Calendar


I also have to admit that my true calendar weakness is for Woman Reading themes, at least two of which are printed each year making my decision difficult because I always like both.  I chose Reading Woman for my 2010 calendar since I am not enslaved to fairy tale themes in all areas of my life.  These images always provide a nice soothing respite from the hundreds of fairy tale images I look at almost every day of the year.

The Reading Woman 2011 Wall Calendar


The Reading Woman 2011 Wall Calendar


The Reading Woman 2011 Small Wall Calendar


So what is your wall calendar of choice?  Or do you stick with an electronic calendar these days?  I do so much electronically but seeing the month at a glance beside me is still a must for my lifestyle.

There are also a bazillion faerie themed calendars but these were some of my favorites...
Faerie Houses 2011 Wall Calendar


Fairies 2011 Wall Calendar


Fairies 2011 Coloring Calendar


World of Faerie by Brian Froud 2011 Calendar


Llewellyn's 2011 Woodland Faeries Calendar

Wednesday, November 3, 2010

Fairytale Cakes: 17 Enchanted Creations by Noga Hitron



Fairytale Cakes: 17 Enchanted Creations

My seven-year-old niece was in town last week which required a trip to the bookstore for book browsing, discussing and purchasing.  Of course, we discovered Fairytale Cakes: 17 Enchanted Creations by Noga Hitron on the shelf and it had to come home with me.  The cakes are stunning and I consider it more of a collection of unique fairy tale illustrations to be honest. I don't aspire to this level of artistry or perfection.  But I love looking at it. Alas, I didn't find any other images from the book to share...

Book description:


Every child has a favorite story, whether it’s about a little mermaid, an ugly duckling, or a brother and sister who meet a witch in a gingerbread house. And no matter how many times mom and dad tell that tale, it’s never enough; the young listener is hungry for more. So maybe it’s time to delight that young prince or princess with a magically decorated, hand-baked cake based on that beloved book.


All the necessary inspiration and instruction are here, from fondant fundamentals to creating shapes and forms. A short synopsis of the related story accompanies the cake, along with vibrant color photographs. Adults may think these sumptuous sweets look too good to touch—but kids will eat them right up!

On the other hand, John is very excited about this book.  He saw it by my desk and has picked it up a few times over the past week.  I admit I bought it for the pretty pictures but he wants to try to actually make one.  Since he is the resident fine artist, he may even manage to make something that resembles one of these cakes although I know his own interpretation will come through.  And edible modeling clay also thrills him. 

And finally here are some other fairy tale/fantasy and cake inspired books:


The Fairytale Cake

Debbie Brown's Fairy Tale Cakes  Enchanted Cakes for Children (Merehurst Cake Decorating) Debbie Brown's Magical Cakes

Two Loving Sisters in a Fairy Tale



Over the years I have read many comments about Snow White and Rose Red and how many women adore that overall gentle fairy tale. I've also received many requests for other fairy tales in which sisters are friends and work together without any true rivalry. It's easy enough to find girl/boy sibling pairs (Hansel and Gretel, Brother and Sister for example) but loving sister pairs are pretty rare. I recently discovered one I had not read before and decided to share it here.  It's a tale from northern India and has shades of many European tales in it.  I won't list them but let you discover them for yourself...

Lal Badshah, The Red King; or, The Two Little Princesses

THERE was once a king, not Lal Badshah, but another, whose wife died, leaving him with two beautiful little daughters.

After a time, as he had no son to be his heir, his vizier said to him: “O king, it is right that you should marry again, so that your people may not be left without a prince to rule over them hereafter.” With this advice the king complied, and he brought to his palace a second wife. But she was of a morose and cruel disposition. She hated the two little princesses, and starved them, and, in short, she acted the stepmother to the life.

These little girls, in their unhappiness, used to go out hand-in-hand, and sit and pray by their dead mother’s grave; and to their simple minds it did not seem at all strange that, when they had said their prayers, they should find by the grave a dish of food, which they always partook of. Day by day at their mother’s grave they found a meal, and they said that God had sent it to them.

But the stepmother had a cat, and this cat took it into her head to follow the princesses whenever they went to the grave, and the princesses took notice of her and fed her with scraps.

One day the queen was eyeing the children, and thinking to herself: “I give them only bran bread, and very little of that; how is it they are so fat?” Then the cat, who divined her thoughts, said: “The princesses visit their mother’s grave every day, and their mother feeds them. That is the reason they look so plump.”

When the queen heard this, she turned so sick with spite and vexation that in a day or two she had to take to her bed. But she pretended to be worse than she was, and at last she persuaded the king that she was at the point of death.

The king was greatly concerned, and said to her: “Can nothing be done for you?” This was just what the wicked woman wanted; so she answered: “I shall never recover until you have dug up the bones of your former wife and scattered them over the earth.”

The king was very sorry, but to save her life he consented to do it, and his first wife’s bones were taken up and scattered, and the stepmother then became quite well again all at once.

The two little girls now conferred together as to what they should do next. “What now?” asked the little one of the elder. Her sister answered: “We must trust in God. What is to be is to be, and our destiny must be fulfilled.”

Now, though their mother’s bones had been taken away, these two children continued their visits to the grave as before. Soon they observed a beautiful tree growing out of it, which bore delicious fruit; and, as they constantly ate of it, they were never hungry. One day, however, the cat followed them again, and when they saw her coming, the elder said: “Hide your fruit!”

“Nay,” said the younger; “let me give her one plum.”

“If you do,” said the other, “she will know, and will tell the queen.”

So they hid their fruit, but one plum fell to the ground by accident; and when the cat saw it, she pounced upon it, and, putting it in her ear, took it away to show it to the queen.

Then this wretched queen fell sick again, and, going through the same pretence as before, she said to the foolish king: “I shall never be well until you cut down the tree which grows out of your first wife’s grave and throw it into the fire.”

The king therefore gave his orders, and the tree was removed root and branch, and they made a fire and burnt it up.

The queen, however, was not satisfied even then. Her hatred of the princesses increased, and she could no longer bear the sight of them: so, with first one reason and then another, she persuaded her husband to take them far away into the desert or into the forest, and to abandon them to their fate.

Early in the morning the king set out with his two little girls, and when he came to a lonely spot, he said to them: “Children, gather the pretty flowers and play and amuse yourselves, while I go down to that brook and wash my turban.” Even kings were not above doing for themselves in those days, but this time the king only spoke to deceive.

Going to the brook, he set up an empty jar on the top of a long stick, and put a cloth over it, and the blowing of the wind made the side of the jar knock and knock against the stick, so that the children, when at intervals they heard the sound of the jar, believed it was their father who was washing his turban on the stones, after the manner of the country. At last, however, the day wore away, and it began to get late. Then they sought the brook to rejoin their father, but he, alas, was nowhere to be seen, and they called and called his name in vain.

The little girls were so distressed to find themselves forsaken and alone in the middle of the wilderness that they sat down and cried for a good hour. “Oh, what now shall we do?” cried the younger one. Looking up, they saw a lofty rock towering over the trees, and they climbed to the top of it, and gazed all round. Then they saw some smoke rising up far in the distance, and, descending, they set out in the twilight to seek for it.

Before very long they arrived in front of a gloomy castle, where they found an old woman of great stature sitting before the door and blinking at the stars. She was an ogress, but she had the heart of a human being; and when she saw the children, she, being a woman, felt pity for them, and said: “Poor things! my son is a man-eater, and when he comes home he will eat you both up!”

“Oh, hide us somewhere!” cried they.



Then the ogress took them up and turned them both into flies, and, when she had stuck pins into them, she fastened them to the wall.

Hardly had she done so, when, with a great roar, the ogre returned from the jungle. “Oh, oh,” cried he:

“I smell man’s flesh,

I smell man’s blood!”


“My son,” said his mother, “there is no man here. There is no one but you and me only.”

Then he sat down to his hog’s flesh and his wine, and fell fast asleep.

In the morning early, after the ogre had gone out as usual, the old ogress pulled out the pins, and turned the children into their proper shapes. “Get away,” said she, “as fast as you can; you will be getting me into trouble, too.”

Right glad were the children to escape from that dreadful place, and they hastened away as fast as they could run. At last they came, towards evening, to a most pleasant spot, where there was an immense tree full of shade. In this tree they both passed the night, feeling thankful that they were safe from wild beasts and ogres.

The next day the elder sister remained in the tree sewing with silk, but the younger got down and went into the forest and collected some deer, which willingly followed her everywhere. So the two sisters lived on deer’s milk and berries, and, as each had her own occupation, they passed a pleasant time.

One day the elder gave the younger sister a flower, and said to her: “Sister, you go out every day, and while you are away something might happen. When this flower fades you will know that I am in trouble, and when I drop my needle I shall know that you are in trouble.”

Some time after this it happened that a king, named Lal Badshah, with all his retinue, came out hunting in that very forest, but after a long day’s chase he succeeded in shooting only a single partridge. As he was hungry, he said to his minister, “Vizier, go—see, there is smoke!—cook this partridge for me, and bring it back.”

So the vizier took the partridge and began to cook it over the fire, to which he was easily guided by the smoke. But it was the fire of the two princesses, the younger of whom was still in the forest. As the vizier was cooking the partridge he happened to look up, and he saw the elder sister in the tree. The sight of her so astonished him that, instead of attending to his duty, he kept staring at her, wondering who and what she could be, and so the partridge got burnt.

When the vizier perceived that the bird was spoilt, he began to mutter in great distress, being quite in despair, fearing the king’s anger. Then the princess said to him: “Why are you crying?”

“Because,” answered he, “I have burnt the king’s partridge.”

“If you will make a solemn promise of secrecy,” said she, “I will help you.”

The vizier faithfully promised, and the princess, descending, made up a delicious dish of partridge and deer’s milk, and sent it to the king.

The king was quite delighted, and he said to his minister: “Vizier, who cooked this partridge?”

“I cooked it,” answered he.

“Who cooked this partridge?” repeated the king.

“I cooked it,” repeated the vizier.

“Who cooked this partridge?” once more cried the king.

“I cooked it,” once more replied the vizier.

“Bury him alive!” screamed the king.

Some of the guard came forward, and, digging a great hole, they thrust in the unlucky vizier, and began to throw the earth over him. When he was buried as high as the neck, the king asked him once more: “Who cooked this partridge?” and still the vizier answered: “I cooked it.”

“This is a very obstinate fellow,” said the king. “In with the earth!”

When he was buried to the mouth, the king for the last time asked him: “Who cooked this partridge?”

“Take me out, take me out,” cried the vizier,” and I will confess.”

So he was released from his grave, and then he told the king the whole story.

Lal Badshah was astonished beyond measure when he heard that a beautiful young princess was living in a tree. Nor was it long before he visited her, when he was so struck with her great beauty and refined manners that he married her there and then, and carried her off on his horse.

The poor girl would have been better pleased if she had been allowed to remain in the tree, and, as she thought of her absent sister, she became very sorrowful. Fortunately, she had a bag of mustard-seed, which she took with her, and as she rode along she dropped the seed on the ground to mark the way.

The younger sister was some distance off, when she suddenly observed that her flower began to fade. So she hastened back as fast as she could; but she was too late: her sister had gone. “Alas!” cried she, “what new misfortune is this? Where can my sister be?” She then noticed the mustard-seed, and perceived that it was a track leading into the forest. Instantly she decided to follow it, and, with her deer gambolling about her, she at once set out.

The track led her to a fine city, where she heard that her sister was now the most favoured queen in the king’s palace. Resolving to remain in that place, in the hope that she might some day be able to communicate with her, the younger sister made herself a little wicker cabin on an ancient mound, past which flowed a brook, just outside of the city gates. Here she dwelt, by day taking out her deer to graze, and by night sleeping with them in the cabin.

The elder sister, however, though she was so beloved by the king, was hated by all her rivals. They were jealous of her power and of her superior beauty. And when, in the course of time, the poor queen had a baby, they stole it and threw it out of the city, close to the old mound, and instead of it they placed by her bed a basket of charcoal. Having done this, they went to the king, and said: “This new queen of yours has been brought to bed. But, instead of a baby, she has given birth to a basket of charcoal.” Naturally, the king was very angry, and he ordered his young wife to be cast into a dungeon.

It so happened that the poor little outcast infant was rescued by its aunt, the younger sister, and as the story of the queen’s disgrace was soon bruited abroad, she easily recognised the child as the king’s. So she took to it, showering on it the greatest affection, and nursing it with deer’s milk.

Some time elapsed, and the child had grown into a handsome little lad of four or five years, when the aunt observed that the king frequently rode out past the mound, and that he sometimes stopped to water his horse at the brook. So she made for the little prince a wooden horse as a plaything, and she told him to look out for the king. “Whenever,” said she, “the king stops to water his horse, do you water your horse, too, and say: ‘Drink, O horse!’”

The child was quite charmed with his new toy, and already imagined himself a gallant knight charging his enemies. When the king came to the brook, as usual he stopped to give his horse some water, and the prince, seeing him, pranced down to the brook, too, and cried: “Drink, O horse!”

“Silly boy,” said the king to him, “can a wooden horse drink?”

In the evening the child reported all this to his aunt—how the king had come, and what he had said. “Tomorrow,” said she, “you must do exactly the same thing, and to the king’s question you are to answer, ‘But, O king, did a woman ever give birth to a basket of charcoal?’”

The next day Lal Badshah was again watering his horse at the brook, and by his side the little prince was watering his, saying: “Drink, O horse!”

“Foolish boy,” said the king, “how can a wooden horse drink water?”

“And, O king,” answered the child, “how can a woman bring forth a basket of charcoal?”

This answer quite startled the king. “Now, what can be the meaning of this?” he said; and, noticing that the little boy entered the wicker cabin, he approached it, and, dismounting, went behind it to listen. He then heard the aunt saying: “Did you repeat to the king what I told you?” And the boy answered, “Yes,” and related all that had happened. Then said the aunt: “Lal Badshah can by no means be a wise king, or else from your answer he would have, guessed the truth.”

On hearing these words, the king approached the door, and the aunt at once rose up to pay him respect. “This boy of yours,” said he, “has just given me a most mysterious answer. What does it mean?”

So the aunt told him the whole history of her life and of her sister’s life, and revealed to him the secret of the boy’s birth. Never was the king so pleased in the whole course of his life. He acknowledged his son as heir to his empire, he restored his injured queen to her position and rank, and he amply provided for her younger sister. And so, after many misfortunes, the two sisters, who loved each other so truly, were united once more, and lived happily ever after.

Source:

Swynnerton, Charles. Indian Nights’ Entertainment: or, Folk-tales from the Upper Indus. London: Elliot Stock, 1892.


 
The illustrations--these are just a few--were uncredited except for being "by native hands."

My Mother She Killed Me, My Father He Ate Me at Boston Book Festival 2010



My Mother She Killed Me, My Father He Ate Me at Boston Book Festival 2010 from Boston Phoenix on Vimeo.

In case you haven't seen this yet (Claire posted it on Fairy Tale Cupboard yesterday) or didn't have time or whatever, here is a video of Kate Bernheimer, Kelly Link and Kathryn Davis reading from and discussing their stories in My Mother She Killed Me, My Father He Ate Me at Boston Book Festival 2010. Maria Tatar is in there, too.

The video is almost an hour long--I'll admit I haven't finished it yet--but it can work as radio, too, and play in the background while you do other computer work. Unless you are editing like I am.

My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales

Tuesday, November 2, 2010

New Book: The Cloak of Dreams: Chinese Fairy Tales by Bela Balázs



The Cloak of Dreams: Chinese Fairy Tales (Oddly Modern Fairy Tales)

The Cloak of Dreams: Chinese Fairy Tales by Bela Balázs was released in September and a review copy recently arrived on my desk.  We'll start with the product description from the publisher:

A man is changed into a flea and must bring his future parents together in order to become human again. A woman convinces a river god to cure her sick son, but the remedy has mixed consequences. A young man must choose whether to be close to his wife's soul or body. And two deaf mutes transcend their physical existence in the garden of dreams. Strange and fantastical, these fairy tales of Béla Balázs (1884-1949), Hungarian writer, film critic, and famous librettist of Bluebeard's Castle, reflect his profound interest in friendship, alienation, and Taoist philosophy. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, The Cloak of Dreams brings together sixteen of Balázs's unique and haunting stories.

Written in 1921, these fairy tales were originally published with twenty images drawn in the Chinese style by painter Mariette Lydis, and this new edition includes a selection of Lydis's brilliant illustrations. Together, the tales and pictures accentuate the motifs and themes that run throughout Balázs's work: wandering protagonists, mysterious woods and mountains, solitude, and magical transformation. His fairy tales express our deepest desires and the hope that, even in the midst of tragedy, we can transcend our difficulties and forge our own destinies.

Unusual, wondrous fairy tales that examine the world's cruelties and twists of fate, The Cloak of Dreams will entertain, startle, and intrigue.

In other words, this is a collection of original fairy tales written by Bela Balázs, not retellings of other tales. The tales are an interesting peephole into Balázs's world, one influenced by two world wars and the European strife surrounding the war periods, especially for a Hungarian Jew who felt isolated and alone due to his heritage--one that was not emphasized by his family or its teachings but nevertheless informed his place in European society.

The translation of the tales as well as the introduction are by the indefatigable Jack Zipes. He adeptly discusses Balázs personal history as well as his interest in fairy tales that led him to write his own personal ones. Balázs concurrent interest in Taoist philosophy also explains his desire to write fairy tales with a Chinese flavor, one that is supported by the accompanying illustrations. Zipes explains that this was not unusual at the time for other authors such as Herman Hesse and Hugo von Hafmannsthal were persuing similar connections and interests.

From the introduction, an abbreviated quotes from Balázs about fairy tales:

The fairy tale does not yearn, does not look outside itself. It does not go in one direction and does now want to get to the root of anything. It remains introspective and plays kaleidoscopically with what's there. The fairy tale does not have any limits, and consequently, it is also not without limits. It does not want to understand anything, and consequently, there is nothing that it doesn't understand.... The common people do not claim the novel or novella; they only have anecdotes, fairy tales, and legends.

Personally, I found Zipes' introduction--roughly a third of this slim volume--the most interesting part of the book. Zipes provides a fascinating story of a complicated man, buffeted by his place in history, benefitting and suffering from the tumultuous times in which he lived. The sixteen tales are interesting after reading the introduction, but are not very entertaining within themselves. They were not intended to be so this is not a criticism. They are artifacts of a man's search for peace and meaning through usage of the fairy tale's inherent form. If this interests you, the book will be enjoyable and educational. If you are searching for light fairy tale reading, this may not be your first choice. However, the introduction and history lesson provided within is worth the price of admission alone.


I have a slew of new books--nonfiction more than fiction--to review that have been sent to me from various publishers, so stay tuned over the next few weeks.

Monday, November 1, 2010

More About the Three Upcoming Snow White Films...

More about the Snow White films on the horizon.  From DiCaprio to Play a Serial Killer and Tarsem to Tackle 'Snow White' by Brad Brevet:

The other story has Tarsem Singh (The Fall) directing an untitled feature based on the Brothers Grimm's classic fairy tale "Snow White" for Relativity Media. This isn't to be confused with Universal's Snow White and the Huntsman which was recently confirmed for a December 21, 2012 release date with rumors Johnny Depp and Tom Hardy are both in contention for the lead role with Charlize Theron rumored to play Snow.

Nope, this is a completely different movie and described by The Wrap as looking to "enchant family audiences." The story follows Snow White as she teams up with a gang of seven quarrelsome dwarves to save her late father's kingdom from her evil stepmother.

Comparatively, Hunstman is said to feature an expanded role for the Huntsman who is ordered to take Snow White into the woods and kill her. Instead, he lets her go and he becomes something of a mentor, teaching her to fight and survive.

Tarsem's film is expected to begin production in March and while Relativity is reportedly interested in Natalie Portman for the lead role, Singh is said to prefer casting an unknown and going down the same path Tim Burton chose when he cast Mia Wasikowska in Alice in Wonderland.

And from Exclusive: Tarsem Singh to Direct Relativity's 3D 'Snow White' by Jeff Sneider:

Disney is also developing "Snow White and the Seven," which features the dwarves as Shaolin monks, though that one is further away from the big screen than the other two projects.

Tarsem made his name directing commercial spots for Nike, Levi's, Coca-Cola and Miller Brew Co. His next picture is Relativity's "The Immortals," which stars Mickey Rourke, Freida Pinto and Luke Evans. Universal is set to release the action fantasy film on Nov. 11, 2011. Tarsem also served as the second unit director in India on David Fincher's "The Curious Case of Benjamin Button."

And many news sources are now reporting that Johnny Depp is signed for Snow White and the Huntsman.

Once Upon a Time Coming to ABC

From EXCLUSIVE: 'Lost' exec producers Horowitz, Kitsis sell pilot to ABC by Stuart Levine:

“Lost” exec producers Adam Horowitz and Edward Kitsis have sold their hourlong drama script “Once Upon a Time” to ABC.

Pilot, from ABC Studios, is a mix of sci-fi and fantasy with a strong mystery element. Premise is a modern-day take on fairy tales, with a female protagonist who comes from a unique background. Show takes place in a small Maine town during the present time.

Despite the fairy tale premise, show will have a strong human emotional center. Similar to “Lost,” there will be a large ensemble.

Well, it will probably make it to the small screen, but will it get enough viewers to become an ongoing series?

Little Mermaid Returning Home




Since I covered its departure, I thought I would cover its return, too. From The Little Mermaid -- time to say goodbye to China by Yang Jingzhong, Lu Ming'ou:

Once upon a time, there was a bronze mermaid keeping watch over the harbor of Copenhagen. Beloved by the Danish city's inhabitants, she was an icon not just of Copenhagen but of the entire kingdom of Denmark.

The Little Mermaid sculpture, created by Edvard Eriksen in 1913 after the character in Danish writer Hans Christian Andersen's fairy tale, had been admired by tourists from all over the world. This spring, she was brought to the Shanghai World Expo 2010 as a token of friendship between Denmark and China.

Now the mermaid is the centerpiece of the Danish Pavilion at the Shanghai Expo. So far the Danish Pavilion has drawn more than 5.55 million visitors, tantamount to the total population of Denmark. This far exceeds the original expectation of 3 million visitors by the Danish organizers, Christopher Bo Bramsen, Denmark's commissioner general to the Shanghai Expo, said.

To see the mermaid "in person" was a highlight for many visitors.

"I never dreamed of seeing the Little Mermaid myself," said Zha, a 72-year-old retired teacher from Jiangsu Province in east China, who used to tell his middle school students the tale of the Little Mermaid.

In August, 15-year-old Wei Yangchen headed straight to the Danish Pavilion to witness the 97th birthday celebration of the Little Mermaid.

continued at article